A wildly unlikely tale of family love and near-loss from LaFaye (Nissa’s Place, 1999, etc.). Fourth-grader (and narrator) Ebon Jones is the ordinary-man-out in his zany family: his little brother is a math whiz and a master storyteller; his older sister is a costume designer without parallel; his mother carves gargoyles for a living; and his father, a researcher for other people’s historical novels, pours his creative energies into fantastic building projects, including a two-story castle in the backyard and the town’s annual haunted house. During work on that project, he suffers a mysterious brain injury that renders him comatose and separates his spirit from his body. This spirit manifests itself initially, and most strongly, to Ebon, who takes it upon himself to reunite his father’s body and soul to bring him back. What ensues is a string of reunification attempts punctuated by fond reminiscences of his father’s wild and crazy ways. The sheer outsized wonderfulness of Dad and studied uniqueness of the family make the story hard to swallow, as does the scattershot approach to reunification—some of Ebon’s efforts feel arbitrarily added to stretch the story out, rather than to serve a cohesive narrative. The setting is incompletely established and does not communicate itself to the reader: all the settings seem impossibly close together with very little geography in between, and the weather is remarkably—and unremarked as such—mild for Minneapolis in November. The final climactic scene, in which Ebon goes with his father through . . . the Underworld? Limbo? . . . well, someplace between life and death, is as incompletely realized as the setting. The family dynamic is enjoyable, if unbelievable, but this is not enough to rescue this confused effort. Revisit Ursula K. Le Guin’s The Farthest Shore instead. (Fiction. 8-12)
Pub Date: June 1, 2001
ISBN: 0-689-81514-X
Page Count: 176
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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