The novel is not always coherent, but Gwyn’s taut prose commands readers’ attention.
Gwyn (stories: Dog on the Cross, 2004) pens a grim, suspenseful first novel about murder in a small town.
Thomas is only 15, yet he yearns for death. Both his parents are dead. His father, a Chickasaw, died in prison; his mother was Mexican. Thomas lives with his Spanish-speaking grandmother Nana, whom he loves fiercely, and his aunt. He has just one friend, Charles, a black kid from the ghetto. We are back in the dying town of Perser, Okla., the setting of Gwyn’s stories. Thomas’s feelings of isolation intensify at a Powwow where he learns of Shampe, a Native American boogeyman who lives underground but emerges to steal children; so says Enoch, a tribal elder, a folklorist and the wealthy owner of a drilling company. Thomas goes from being a straight-A student to a dropout working at the golf course, all because of Enoch’s words: “Go under.” Why would he give such advice? It’s a major disappointment that Gwyn allows Thomas and Enoch to fade without an explanation, before shifting attention to two white men, Sheriff Martin and Hickson. Martin is a decent guy who feels responsible for the death of his kid brother in a childhood accident and so takes Thomas’s subsequent disappearance personally. Hickson is a decorated veteran from the first Gulf War whose wife left him when he experienced PTSS. Later he got it together enough to become golf-course groundskeeper and Thomas’s boss. His own obsession with the underground begins when a perfectly round hole appears in his yard. Gwyn cobbles together some suspense around Thomas, Hickson and his neighbor Parks. There will be two murders and a climactic confrontation underground, naturally, but the strain connecting the lost teenager to the equally lost adults is evident; the concept of a magnetic force pulling them all down feels spurious.
The novel is not always coherent, but Gwyn’s taut prose commands readers’ attention.Pub Date: April 1, 2009
ISBN: 978-0-393-06723-1
Page Count: 192
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2009
BOOK REVIEW
BOOK REVIEW
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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