Smartly written, cleverly paced, but wanting for passion.
The watchful Collective, and those who oppose it, form Safronoff’s futuristic tale of biological manipulation and the battle for individuality.
In a not-too-distant future, mankind has relegated much of its need for self-motivation to the all-knowing Collective. But all that could change, thanks to former Collective officer Eve and Joshua Falken, a man who could very well undermine the Collective’s power. Safronoff’s novel offers readers a glimpse into a world buried under the weight of its technological advances, such as GEaRS biotechnology that boosts the power of the human mind and body to inhuman levels. Technology such as the Desk, which functions similar to a computer, and Glass, the equivalent of an iPhone on steroids, form commonplace hardware in Safronoff's carefully constructed world—one in which the entire Eastern Seaboard sits under the watchful eye of the Spire, the Collective’s dark base of operations. The characters are often attributed simple titles that mark the importance of their roles, such as the unrelenting Leader. Like George Orwell’s seminal 1984, Safronoff’s tale delves into the question of personal freedom and takes it a step further. The novel owes plenty to other speculative science-fiction writers as well, particularly those of the glorious pulp era, such as Philip K. Dick’s pioneering tale Do Androids Dream of Electric Sheep?, where everyday people struggle to understand the deeper meaning of technology. First in a planned series, the novel’s weakness comes in the form of sterile characters, predictable delivery and action sequences reminiscent of the Matrix films; too often, in fact, the novel reads as if it were written to be a film. Those who enjoy hip reads of sublime, indifferent control, bucking the system and inspired technology will find exactly what they’re looking for in Safronoff’s debut.
Smartly written, cleverly paced, but wanting for passion.Pub Date: Sept. 17, 2011
ISBN: 978-1463682187
Page Count: 358
Publisher: CreateSpace
Review Posted Online: Nov. 23, 2011
Kirkus Reviews Issue: Dec. 15, 2011
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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