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ROCKET AND LIGHTSHIP

ESSAYS ON LITERATURE AND IDEAS

These incisive, deeply informed essays speak to the power of literature to illuminate, and transform, the world.

A critic asks why literature matters.

In this collection of 19 essays, New Republic senior editor Kirsch (Why Trilling Matters, 2011, etc.) considers the cultural work of literature, complicating Matthew Arnold’s comment that poetry is “at bottom a criticism of life.” Focusing on writers as diverse as Italian poet Giacomo Leopardi, German philosopher Peter Sloterdijk, and critics Walter Benjamin and Susan Sontag, Kirsch maintains that all literature expresses “the writer’s experience of being in the world, of his aspirations and expectations and anxieties.” These essays reflect on both the writer’s and reader’s contexts, illuminating their complexities. In an analysis of Sontag’s work, for example, Kirsch argues that Cynthia Ozick, who saw in Sontag “the stylish barbarism of the sixties,” and Camille Paglia, who castigated Sontag as a self-absorbed elitist, both were right if one considers the intellectual transformations evident in Sontag’s essays and journals. Kirsch is a contributing editor for Tablet, a magazine of Jewish arts and letters, and he focuses on Jewish identity in several essays: an intellectual portrait of Hannah Arendt; a consideration of Alfred Kazin’s literary history and journals; an overview of Ozick’s fiction and filial relationship to Henry James; and an analysis of Proust’s affinity to his contemporary, Russian poet Chaim Nachman Bialik. Proust and Bialik, Kirsch asserts, tried “to reconstitute the kind of absolute authority which is missing from the secular world….[B]oth are performing the modernist leap of faith, which attempts to make art itself an independent value.” The value of literature lies in its presentation of an opportunity for transcendence. In the title essay, Kirsch reveals his own anxieties about the future of literature. “Writers used to write for posterity—that is, for people essentially like us in the future.” But future readers, he conjectures, “will understand us wholly differently, and much better, than we can understand ourselves.”

These incisive, deeply informed essays speak to the power of literature to illuminate, and transform, the world.

Pub Date: Nov. 17, 2014

ISBN: 978-0393243468

Page Count: 304

Publisher: Norton

Review Posted Online: Sept. 20, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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