by Adele Griffin ‧ RELEASE DATE: June 13, 2017
A reminder, if one is still needed, that it doesn’t pay to be the interloper in a community of rich, upper-crust-society...
In 1976, handsome and charming Gil’s arrival in an exclusive, white, summer-island community inflames two girls’ rivalry with disastrous results.
The novel’s opening scene reveals an unidentified girl on the verge of drowning and surprised that Gil isn’t there to save her. The rest of the novel is a flashback of Gil’s ultimately unsuccessful attempts to juggle the romantic attachments of two island girls. Jean’s family belongs on the island, as proven by the Junior Cup tennis trophy inscribed with her mother’s and sister’s names. So it was bitter for Jean to lose it the previous summer to Fritz, a working-class white girl invited to the island each year by her best friend’s family. Jean’s unhappiness grows when Gil, the long-lost nephew of a prominent islander, arrives and immediately begins dating Fritz, although he’d already met and kissed Jean in New York City. Determined to climb the social ladder using his rich family’s acceptance, Gil treats both girls callously. Even still, Jean constantly schemes to win his affections, poor Fritz falls in love with him, and readers await the approaching, seemingly inevitable tragedy, which unfolds in Griffin’s customarily meticulous prose.
Pub Date: June 13, 2017
ISBN: 978-1-61620-675-8
Page Count: 352
Publisher: Algonquin
Review Posted Online: March 19, 2017
Kirkus Reviews Issue: April 1, 2017
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by Adele Griffin ; illustrated by LeUyen Pham
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by Laura Nowlin ‧ RELEASE DATE: April 1, 2013
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
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SEEN & HEARD
by Kerri Maniscalco ‧ RELEASE DATE: Sept. 20, 2016
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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