Readers will relate to compassionate, confused Lizzy but might find the overloaded plot hard going.
Sometimes secrets twist and turn, leading to mistrust and pain.
Lizzy Swift has epilepsy. She never speaks of it, even to those who know of her condition. She is always worried that she will have a full-blown seizure or that others will notice her petit mal lapses. She and her best friends, Gage and Mimi, are the nerds of the senior class at their all-girls school near Philadelphia. Claire is a new girl, eccentric and with her own mysterious secrets, who draws Lizzy into a different, sometimes-uncomfortable sphere, and Lizzy never knows how Claire will behave toward her. Her longtime secret crush, Matt, is now her boyfriend, and his secrets are even more subtle and hard for her to fathom. Confusing her further is her strong reaction to Mimi’s brother, Theo, who appears when he is needed. Divided into the three seasons of the 1988-89 school year, there are many references to the pop culture and musical groups of the era that modern readers might not recognize. Everything is told in Lizzy’s voice with her own flawed insights and limitations. Characters and events seem to float in and out of the plot, and a seemingly pat conclusion leaves one very important unanswered question. Major characters are white apart from Mimi and Theo, who are Korean-American.
Readers will relate to compassionate, confused Lizzy but might find the overloaded plot hard going. (Fiction. 14-18)Pub Date: June 12, 2018
ISBN: 978-1-61620-676-5
Page Count: 352
Publisher: Algonquin
Review Posted Online: April 9, 2018
Kirkus Reviews Issue: May 1, 2018
PERSPECTIVES
A worthy second-chance romance.
In this follow-up to 2021’s Better Than the Movies, a 20-year-old college freshman gets a second chance at his dreams.
After the death of his father and his mother’s subsequent physical and emotional disappearance, Wes Bennett left behind all of his plans and the girl he made them with to go home and take care of Sarah, his younger sister. But now, Sarah has graduated, his mom is back on her feet, and by some miracle, Wes has an offer to pitch for UCLA’s baseball team. Liz Buxbaum, the girl he’s always loved, works for the university’s athletic department, taking photos and video of the team for social media, which means that maybe he can have a second chance at love, too. But since Wes left, Liz has made every effort to protect herself from ever feeling that broken again; there’s no room for love, because she doesn’t believe in it anymore. Or she doesn’t want to. This second-chance sports romance includes fake dates, quippy and quirky best friends, real heartache, and the sweet ache of first love. The clever dialogue keeps readers from drowning in the main characters’ emotional push-and-pull. Reading the first novel isn’t necessary for appreciating this one, although knowing the full history between Wes and Liz will only add to the ache and longing readers feel from and for them. Main characters are cued white.
A worthy second-chance romance. (Romance. 14-18)Pub Date: Oct. 1, 2024
ISBN: 9781665947138
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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BOOK REVIEW
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