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TO ERR IS DIVINE

A sharp and biting satire of the new face of Eastern Europe: a bestseller in Hungary and Germany that deserves a good run...

Second novel but first US appearance for Hungarian author Bozai: a witty tale that imagines the travails that befall a middle-aged atheist schoolteacher who finds herself crowned with a halo.

Anna Levay is one of those timid, gray souls who inhabit the faculty lounges of public schools across the globe. Thrifty (of necessity), diligent, and prudent, she is the sort of woman who allows herself the luxury of nothing but bath salts. Why? Because a colleague from the physics department once told her that the suds insulate the water and help conserve heat. The comfortable routine of her life is changed when she emerges from the tub one night to discover a nimbus of light encircling her head. After convincing herself that it is not a hallucination (which takes some time), she carefully takes the halo’s temperature (to make sure it is not hot enough to start a fire) and goes to bed. The next morning it’s still there—stranger still, no one else except babies and animals can see it. Anna tries to go about her life as usual, hoping that her delusion will eventually subside. Fat chance. A series of strange events, all somehow linked to Anna, begin to occur in her small coastal town. Fish jump out of the water and ground themselves. Unexplained healings take place in the river nearby. Anna begins involuntarily to quote long passages from the Bible in the middle of everyday conversations. The corrupt mayor (an ex-Communist turned entrepreneur) and his sidekick, a venal neurologist, are concerned. They had grandiose and lucrative plans to turn the city into a world-class tourist attraction but now find themselves swamped with a tidal influx of sick and handicapped pilgrims. Lourdes is not the kind of resort the mayor had in mind. So he and the neurologist conspire to get Anna put quietly out of the way. Will she go quietly? Never underestimate the staying power of tenured faculty.

A sharp and biting satire of the new face of Eastern Europe: a bestseller in Hungary and Germany that deserves a good run over here.

Pub Date: June 28, 2004

ISBN: 1-58243-277-5

Page Count: 256

Publisher: Counterpoint

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2004

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THE TESTAMENTS

Suspenseful, full of incident, and not obviously necessary.

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Atwood goes back to Gilead.

The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.

Suspenseful, full of incident, and not obviously necessary.

Pub Date: Sept. 10, 2019

ISBN: 978-0-385-54378-1

Page Count: 432

Publisher: Nan A. Talese

Review Posted Online: Sept. 3, 2019

Kirkus Reviews Issue: Sept. 15, 2019

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THINGS FALL APART

This book sings with the terrible silence of dead civilizations in which once there was valor.

Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.

Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.

This book sings with the terrible silence of dead civilizations in which once there was valor.

Pub Date: Jan. 23, 1958

ISBN: 0385474547

Page Count: 207

Publisher: McDowell, Obolensky

Review Posted Online: April 23, 2013

Kirkus Reviews Issue: Jan. 1, 1958

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