Next book

CLOUD MOUNTAIN

From Chinese-American writer Liu (Face, 1994, etc.), a riveting, bittersweet second novel about a marriage tested by race, culture, and history as an American woman and her Chinese husband navigate the treacherous waters of politics in the pre-Mao years. Loosely based on Liu's own grandparents' experience, the story begins in 1941 when Hope Newfield, living in Los Angeles, receives a three-year-old letter from her husband in China asking if she still has a place in her heart for him. The letter moves Hope to look back over the events that brought the couple together and tore them apart. They had met in 1906, when she was living in Oakland and tutoring Chinese students. Leong Po-yo, a new pupil, is the only son of a noble family and a follower of Dr. Sun Yat-sen. Teacher and student are soon attracted to each other, and when Leong rescues Hope after the 1906 earthquake, they admit their love and decide to marry. They do so in Evanston, Wyoming, one of the few towns that allows ``mixed'' marriages, but they're quickly subject to racial slurs from both Americans and Chinese. Still, life is sweet, and the first of several children are born; but then, in 1911, revolution breaks out in China and Leong hurries back, followed shortly by Hope. From then on, their lives are shaped by Leong's political activities. Hope becomes a photographer and journalist; she and her children are shunned by both Chinese and European society. The marriage is further tested when China is pulled apart by civil war. Dispirited, Hope returns with her children to California in 1932, and though she goes back in 1942 in response to Leong's letter, she accepts that the two of them, victims of time and place, will always be ``separate and distinct.'' A moving tale of true love, besieged by politics and prejudice, that nonetheless survives the tumultuous times Liu so vividly and intelligently describes.

Pub Date: June 26, 1997

ISBN: 0-446-51987-1

Page Count: 368

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1997

Categories:
Next book

MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

Categories:
Next book

THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Categories:
Close Quickview