Savory food writing.
A collection of flavorful memories.
Poet and essayist Nezhukumatathil, award-winning author of World of Wonders, creates a graceful memoir centered on 40 different kinds of food, some exotic, some familiar, all evoking recollections of childhood, family, travels, friendships, and much more. “This book is a bite of personal and natural history,” she writes, “a serving if you will—scooped up with a dollop of the bounty and largesse of the edible world.” With a father from India and a mother from the Philippines, some of the author’s memories center on traditional food such as kaong, the fruit of the sugar palm, prized in Filipino salads; jackfruit, her favorite fruit, which she first tasted during a visit to her grandparents in Kerala; bangus, the national fish of the Philippines, served fried as part of breakfast; and lumpia, a deep-fried Filipino finger food, with a crisp outer skin filled with chicken, ground beef or pork, carrots, and green beans. She takes sides in her parents’ debate over which mangoes are sweetest, those from India or those from the Philippines. For her, it’s Alphonso mangoes, from India, “hands down.” Eating lychees reminds her of her 20s, when she lived in Buffalo and would fly to New York City to meet friends. She’d buy a sackful of lychees, eating them happily on a bench while people-watching. Cherries, figs, and maple syrup are among other foods that elicit the author’s lyrical responses. The taste of apple banana, for example, “becomes a party in your mouth featuring a banana host and a sort of pineapple-strawberry DJ spinning tunes.” Her memoir is not unlike halo-halo, a mixture of unexpected ingredients that make for a delectable dessert. "With halo-halo," she writes, "you never know what you are going to discover and when."
Savory food writing.Pub Date: April 30, 2024
ISBN: 9780063282261
Page Count: 224
Publisher: Ecco/HarperCollins
Review Posted Online: Feb. 10, 2024
Kirkus Reviews Issue: March 15, 2024
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A frank and funny but uneven essay collection about neurodiversity.
An experimental, illustrated essay collection that questions neurotypical definitions of what is normal.
From a young age, writer and comedian Myers has been different. In addition to coping with obsessive compulsive disorder and panic attacks, she struggled to read basic social cues. During a round of seven minutes in heaven—a game in which two players spend seven minutes in a closet and are expected to kiss—Myers misread the romantic advances of her best friend and longtime crush, Marley. In Paris, she accidentally invited a sex worker to join her friends for “board games and beer,” thinking he was simply a random stranger who happened to be hitting on her. In community college, a stranger’s request for a pen spiraled her into a panic attack but resulted in a tentative friendship. When the author moved to Australia, she began taking notes on her colleagues in an effort to know them better. As the author says to her co-worker, Tabitha, “there are unspoken social contracts within a workplace that—by some miracle—everyone else already understands, and I don’t….When things Go Without Saying, they Never Get Said, and sometimes people need you to Say Those Things So They Understand What The Hell Is Going On.” At its best, Myers’ prose is vulnerable and humorous, capturing characterization in small but consequential life moments, and her illustrations beautifully complement the text. Unfortunately, the author’s tendency toward unnecessary capitalization and experimental forms is often unsuccessful, breaking the book’s otherwise steady rhythm.
A frank and funny but uneven essay collection about neurodiversity.Pub Date: Oct. 28, 2025
ISBN: 9780063381308
Page Count: 272
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 12, 2025
Kirkus Reviews Issue: Oct. 15, 2025
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