As a woman who has embraced Islam, Khan is eager to share her religion with North American children. With its handsome layout, consisting of two-page spreads with one large, clear photograph occupying one page and text and smaller photographs with detailed captions on the other, this introduction to the holy buildings used by the Islamic faithful offers enough detail to provide both an accurate picture of the characteristics of a contemporary mosque in the US and some insight into the Islamic religion itself. Using photos taken in two suburban mosques in New York, Khan describes the different areas of the buildings, including the ritual washing area, the prayer hall, the school rooms, the reading room or library, and the minaret or tower. She discusses some practices in the Middle East, South Asia, and other parts of the Muslim world, but also speaks about specific North American adaptations, such as having to go back to work on Friday after midday prayer. Succinct, but informative, this can be used by schools, families, and religious education groups to encourage some sorely needed tolerance in this time of international strife. (Nonfiction. 6-10)
Pub Date: July 1, 2003
ISBN: 1-893361-60-8
Page Count: 40
Publisher: SkyLight Paths
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2003
The most interesting feature of this retelling of a story about a saint martyred in A.D. 270 is the art, a meticulous re- creation of the medium of its subject's period. Using thousands of tiny, rectangular pieces resembling tiles, Sabuda replicates the effect of Roman mosaics. His simple designs and harmonious, gently muted colors are pleasing, and he achieves surprising subtleties of expression, considering the intractability of the medium. Actually, the illustrations work even better from a slight distance (as with a group), so that the demarcations between the tiny pieces are less predominant. The technique, which tends to congeal the action, makes relatively undramatic illustrations; still, it's a fascinating experiment that brings the ancient world to life by paying tribute to its art rather than by picturing it in a modern style. The straightforward narrative centers on Valentine as a physician whose ointment restores the sight of a jailer's blind daughter, long the saint's friend. It's implied that the long-awaited cure takes place at the moment of his offstage death; the story ends with the joy of the child's renewed vision. An unusual and attractive rendition. Historical note. (Nonfiction/Picture book. 6-9)
Pub Date: Oct. 30, 1992
ISBN: 0-689-31762-X
Page Count: 32
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1992
This book of seasonal prayers, inspired by Saint Francis of Assisi’s “Canticle of Brother Sun,” and also indebted to Gaelic scholar Alexander Carmichel’s work, can be summed up by a portion of the prayer for November: “Contained in every/season’s end:/the blessing to begin again.” Springtime’s “Sing praise” gives way to summer’s “Rejoice!” and then to harvest time’s “Give Thanks” before winter’s “Be Blest” appears in the encircled prayer that faces each month’s watercolor illustration. The realistic paintings reflect the annual cycle, becoming almost iconographic in the evidence in each of the gifts of the season. These are “God’s good gifts” that in January, for example, are the seeds shaken from dead plants and weeds and the leaf buds on barren branches. The puzzle of the cycle of life springing from death moves on many levels; also appearing in January are predator (fox) and prey (deer). The simple yet sturdy spirituality informing this book will assure its place in both individual and institutional collections that have room for religious titles. (Picture book. 6-8)
Pub Date: Oct. 1, 1999
ISBN: 0-689-80546-2
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1999
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