An appealing, insightful collection of musings on the architecture, psychology, and history of house and home in America. Busch, a contributing editor at Metropolis magazine, has assembled 14 essays originally published there. Analyzing the domestic spaces that compose the American home, she offers fascinating insights into the changing conditions and circumstances of our habitats. The front door, for example, in her view has become almost obsolete, not only because we use the door closest to the driveway, but because “it represents a formality for which we have little use in an age when informality and casualness provide comfort.” As we have come to increasingly view our home as a private sanctuary providing respite from a chaotic and menacing world, states Busch, we tend to avoid the door that is closest to the public, though we continue to build houses with front doors. Front porches—until after WWII an integral part of every home, a place where people shared news and gossip—have also become somewhat an anachronism, the author believes. People get their news elsewhere and are wary about exposing themselves to the fumes of passing cars. In urban environments, front stoops that once served as a “neighborhood’s outdoor living room” are avoided for fear of aimless violence. But the importance of other architectural spaces has grown. Closet space is now regarded as a priority because, suggests Busch, “as we become a more transient society, we tend to define home by the accumulation of possessions as much as by place.” In other words, the more tenuously we view our daily existence, the more fervently we pile up things. Living rooms are now often decorated according to the inhabitant’s personality. Kitchens, ironically, have expanded, as homeowners find the work done there—from preparing food to eating—a necessary relief from technology and mechanization. This cozy book provides provocative and intelligent insights that land close to home.
Pub Date: June 1, 1999
ISBN: 1-56898-172-4
Page Count: 164
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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