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NINE WAYS TO CROSS A RIVER

MIDSTREAM REFLECTIONS ON SWIMMING AND GETTING THERE FROM HERE

Discomfiting, but memorable.

“When it began to feel as though my life had become defined by a series of divides,” writes cultural journalist Busch (Geography of Home, 1999, etc.), “it seemed to be the time to take a swim.”

Divided from a close friend by death, from her twin sons by the impenetrable fog of adolescence, the pushing-50 author wanted to “find a divide that could be crossed.” So on August 29, 2001, she swam across the Hudson River. Less than two weeks later, the World Trade Center towers fell. After that, Busch explains, she decided “to begin each autumn by swimming across a river, some small, personal trial by water that could secure safe passage into the coming year.” By 2005 she had traveled to nine rivers and swum across eight, discovering along the way stories of transformation and renewal. Beginning close to home in New York, then moving west to the Mississippi, Busch captures the character and history of each river. She draws on the writings of Least Heat-Moon, Edward Abbey, Mark Twain and Bill Bryson, among others; the technical expertise of engineers; the practical knowledge of park rangers, campers and assorted river lovers, including Pete Seeger; and her own observations and impressions. We learn that the sweet-flavored Hudson flows both north and south, that the Delaware has swift currents, boulders and deep pools, that the Susquehanna is unnaturally warm. The beautiful Connecticut River has black silt; the busy Mississippi and the Monongahela rivers are brown and muddy; the Cheat and Current rivers are clear and green. Forethought, research and careful planning generally preceded Busch’s ventures, except for a projected swim across the Ohio, derailed by reliance on luck and happenstance. Her friend Onni was usually her swimming partner, and on heavily trafficked rivers a raft or boat accompanied her for safety. In the deepest sense, however, these were solitary journeys exploring an internal landscape as well as connecting to the natural world around her.

Discomfiting, but memorable.

Pub Date: July 1, 2007

ISBN: 1-59691-045-3

Page Count: 224

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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