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EARTH IN THE BALANCE

Name: EARTH IN THE BALANCE
Author: Al Gore
ISBN: 0-395-57648-2

ECOLOGY AND THE HUMAN SPIRIT

by Al Gore ‧ RELEASE DATE: Jan. 22, 1992

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Senator Gore (Tennessee), who was known as the environmental candidate for the Democratic presidential nomination last time around, says here that he strayed from that concentration when pollsters steered him onto other issues—and that he now has redirected himself to saving the earth. His book is not just another roundup summary of threats to the environment, though it does include chapters on water problems, deforestation, and the genetic erosion of the global food supply, but it's a seemingly heartfelt attempt to understand and convince those (politicians and public) who deny the urgency of the problems and the need to act. Gore has a roundabout way of making his points, often diluting amazing quotes, facts, and stories by presenting them as examples or asides within the abstract frameworks he constructs in his indirect way of approaching the issues. He is fond of analogies, but the analogies can be stretched far beyond their value to illuminate—as in an entire chapter, ``Dysfunctional Civilization,'' that goes on at length about dysfunctional families, addiction, and co-dependency. And instead of using the familiar as analogy to clarify a difficult concept, he often does the opposite—for example, calling on chaos theory and Einstein's Theory of Relativity (``Bear with me'') to help us recognize the threshold for dramatic change in our relationship to the environment. Yet on particular issues he often gets caught up in conventional thinking and fails to cut through with fresh ideas. Gore's concluding recommendations for a global environmental strategy work as a thoughtful position paper but are unlikely to inspire politicians or popular action. Which, however, is not to dismiss the desirability of getting Gore's agenda in motion. So consider buying the book, displaying it, and hoping for the best.

Pub Date: Jan. 22, 1992

ISBN: 0-395-57648-2

Page Count: 320

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1991

Categories:

GENERAL NONFICTION

- BOOK REVIEW
AN INCONVENIENT SEQUEL
by Al Gore

- BOOK REVIEW
THE FUTURE
by Al Gore

- BOOK REVIEW
OUR CHOICE
by Al Gore developed by PushPop Press

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.