Next book

THE NOTE

The complex friendship among three flawed but engaging characters anchors this satisfying psychological thriller.

A holiday in the Hamptons for three friends turns into an engrossing tale of murder.

Typically, the worst aftereffects of a girls’ weekend are nasty hangovers and swollen credit cards. But in this gripping thriller, much darker things happen. When May Hanover—a Chinese American assistant district attorney turned law professor in New York—agrees to spend a long weekend with two old friends in East Hampton, it’s a welcome reunion, and for May, a break from prepping for the next semester while planning her wedding to fiance Josh. The trio first met about 15 years ago at an arts camp, and May has stayed in touch with Lauren Berry, an accomplished Black classical musician. But until recently, she hadn’t heard from Kelsey Ellis, the golden-blond daughter of a rich man, since Kelsey married a rising star chef who was subsequently murdered—a death that many online true-crime aficionados attribute to her. That’s not the only scandal in the trio’s baggage: Lauren’s longtime relationship with a married oilman got her fired from a plum job when it was exposed. And the usually rational May was the subject of a humiliating viral video of her threatening to call the police after a confrontation with a Black man on the subway. But this weekend is about leaving those troubles, and their long tail on the internet, behind. When the women drive to Sag Harbor to barhop, another car steals the parking space they were waiting for, and, among themselves, they make fun of the attractive couple in it. But Kelsey goes a little further, tucking a note on a cocktail napkin under the windshield wiper: “He’s cheating. He always does.” It seems like a prank, but then a tourist is reported missing who looks like the handsome driver. Questions are raised and tempers flare among the friends; in the midst of it, Kelsey’s stepbrother Nate arrives. He’s cool and charming—and May’s ex-boyfriend. As the police start asking questions, May’s compulsion to investigate kicks in, although she’s digging into her own past, along with those of the friends she thought she knew. Burke builds an intricate structure of secrets layered within secrets, revealed for maximum suspense.

The complex friendship among three flawed but engaging characters anchors this satisfying psychological thriller.

Pub Date: Jan. 7, 2025

ISBN: 9780593537084

Page Count: 304

Publisher: Knopf

Review Posted Online: Oct. 10, 2024

Kirkus Reviews Issue: Nov. 15, 2024

Awards & Accolades

Likes

  • Readers Vote
  • 334


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

NEVER FLINCH

Even when King is not at his best, he’s still good.

Awards & Accolades

Likes

  • Readers Vote
  • 334


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Two killers are on the loose. Can they be stopped?

In this ambitious mystery, the prolific and popular King tells the story of a serial murderer who pledges, in a note to Buckeye City police, to kill “13 innocents and 1 guilty,” in order, we eventually learn, to avenge the death of a man who was framed and convicted for possession of child pornography and then killed in prison. At the same time, the author weaves in the efforts of another would-be murderer, a member of a violently abortion-opposing church who has been stalking a popular feminist author and women’s rights activist on a publicity tour. To tell these twin tales of murders done and intended, King summons some familiar characters, including private investigator Holly Gibney, whom readers may recall from previous novels. Gibney is enlisted to help Buckeye City police detective Izzy Jaynes try to identify and stop the serial killer, who has been murdering random unlucky citizens with chilling efficiency. She’s also been hired as a bodyguard for author and activist Kate McKay and her young assistant. The author succeeds in grabbing the reader’s interest and holding it throughout this page-turning tale of terror, which reads like a big-screen thriller. The action is well paced, the settings are vividly drawn, and King’s choice to focus on the real and deadly dangers of extremist thought is admirable. But the book is hamstrung by cliched characters, hackneyed dialogue (both spoken and internal), and motives that feel both convoluted and overly simplistic. King shines brightest when he gets to the heart of our darkest fears and desires, but here the dangers seem a bit cerebral. In his warning letter to the police, the serial killer wonders if his cryptic rationale to murder will make sense to others, concluding, “It does to me, and that is enough.” Is it enough? In another writer’s work, it might not be, but in King’s skilled hands, it probably is.

Even when King is not at his best, he’s still good.

Pub Date: May 27, 2025

ISBN: 9781668089330

Page Count: 448

Publisher: Scribner

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

Awards & Accolades

Likes

  • Readers Vote
  • 68


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

Awards & Accolades

Likes

  • Readers Vote
  • 68


  • New York Times Bestseller


  • IndieBound Bestseller

A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

Close Quickview