Throughout, Camus’ talent, humor, and passion glisten like rare jewels.
A focused collection of the political and moral writings and speeches by the Nobel laureate.
After a fresh foreword by Camus scholar Alice Kaplan, the compilation begins with four letters Camus (1913-1960) published during World War II, purportedly to a German he knew but who is likely the author’s creation. The letters assail the Germans for what they have done—and continue to do—with fierce candor: “violence is more natural to you than thinking”; “you scorned knowledge and spoke only of strength.” The longest piece is “Reflections on the Guillotine” (1957), which describes and condemns capital punishment, employing logic, passion, grim detail, and skillful prose. Camus begins with his father’s vomiting after witnessing a beheading; later, he includes a horrible description of another beheading gone wrong. The author argues that capital punishment is not punishment but “revenge” and includes comments about how the death penalty is related to religious history. The volume concludes with two speeches related to the author’s acceptance of the Nobel Prize in literature. The first is the official speech he gave at the ceremony in Stockholm; the second, a lecture he delivered at Uppsala University. In the first, Camus is humble and grateful and talks passionately about the significance of his art in his life. The second explores the idea of realism in literature—and how absolute realism is impossible. It would require, he writes amusingly, the author to devote their life to following the entire life of another. Camus is also playful with the old metaphor of the broken eggs and the omelet: You don’t need to break thousands of them to make one omelet. The author ends by saying that truth should be the aim of the artist.
Throughout, Camus’ talent, humor, and passion glisten like rare jewels.Pub Date: Aug. 4, 2020
ISBN: 978-0-525-56719-6
Page Count: 160
Publisher: Vintage
Review Posted Online: June 8, 2020
Kirkus Reviews Issue: July 1, 2020
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A frank and funny but uneven essay collection about neurodiversity.
An experimental, illustrated essay collection that questions neurotypical definitions of what is normal.
From a young age, writer and comedian Myers has been different. In addition to coping with obsessive compulsive disorder and panic attacks, she struggled to read basic social cues. During a round of seven minutes in heaven—a game in which two players spend seven minutes in a closet and are expected to kiss—Myers misread the romantic advances of her best friend and longtime crush, Marley. In Paris, she accidentally invited a sex worker to join her friends for “board games and beer,” thinking he was simply a random stranger who happened to be hitting on her. In community college, a stranger’s request for a pen spiraled her into a panic attack but resulted in a tentative friendship. When the author moved to Australia, she began taking notes on her colleagues in an effort to know them better. As the author says to her co-worker, Tabitha, “there are unspoken social contracts within a workplace that—by some miracle—everyone else already understands, and I don’t….When things Go Without Saying, they Never Get Said, and sometimes people need you to Say Those Things So They Understand What The Hell Is Going On.” At its best, Myers’ prose is vulnerable and humorous, capturing characterization in small but consequential life moments, and her illustrations beautifully complement the text. Unfortunately, the author’s tendency toward unnecessary capitalization and experimental forms is often unsuccessful, breaking the book’s otherwise steady rhythm.
A frank and funny but uneven essay collection about neurodiversity.Pub Date: Oct. 28, 2025
ISBN: 9780063381308
Page Count: 272
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 12, 2025
Kirkus Reviews Issue: Oct. 15, 2025
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