An intricately plotted whodunit that maintains suspense to the end.
A young woman lands in a Gothic mansion in a small seaside town in Northern California and rapidly becomes mired in its mysterious history.
After her mother dies, nearly-18-year-old Cecelia Ellis moves in with the grandmother she hardly knows. Maura Weston is nothing short of a celebrity, a rich, bestselling author of mysteries—the first and most famous of which was inspired by the 1970 murder of her own friend Caroline Quinn, a homecoming queen. Immediately taken in by a friendly but complicated group at Seaview High, Cecelia’s grief over her mother’s death is largely subsumed by her interest in Caroline’s murder and then by another present-day mystery that unfolds. A large cast of supporting characters, including Ben and Gabriel, two different guys who both interest Cecelia, all seem to be hiding something. Readers will be kept guessing about who she can trust, and the thriller sustains its central tension as one person after another is suspected of misdoings. That Cecelia so rapidly becomes immersed in this insular town following her mom’s death and her move from Los Angeles requires some suspension of disbelief, but her clever wit blended with flashes of vulnerability makes for an easily sympathetic narrator. Cecelia reads as White, and she remarks early on about the racial homogeneity of Seaview; Gabriel and his sister, who befriends Cecelia, are Filipinx. There are queer supporting characters.
An intricately plotted whodunit that maintains suspense to the end. (Thriller. 14-18)Pub Date: Oct. 4, 2022
ISBN: 978-0-593-47982-7
Page Count: 336
Publisher: Crown
Review Posted Online: Sept. 13, 2022
Kirkus Reviews Issue: Oct. 1, 2022
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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