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AT THE VILLA OF REDUCED CIRCUMSTANCES

Though the first story is piffle, the second is a worthy apotheosis for Smith’s charmingly clueless pedagogue. (Illus....

Smith completes the saga of Prof. Dr. Moritz-Maria von Igelfeld (see below) with a pair of long stories that transport him to Cambridge University and a faded Colombia salon.

“On Being Light Blue” indulges the eminent scholar’s long-time wish for a visiting appointment at Cambridge courtesy of his colleague Prof. Dr. Detlev Amadeus Unterholzer’s equally ardent desire to appropriate his office during his absence. Von Igelfeld’s tenancy at Cambridge is a series of lightweight comic sketches: his mistaking Prof. Porter for the College Porter, his attempt to prevent visiting American opera writer Matthew Gurewitsch from using his shared bathroom without lying about its availability, his seduction into some collegiate intrigue—the last of which supplies an anticlimax worthy of Botswana private detective Precious Ramotswe (The Full Cupboard of Life, p. 158, etc.). If this tale depends a little too completely on Smith’s ear for the absurdity of academic persiflage just as it’s lifting off from reality, the title story takes von Igelfeld to an altogether higher plane. Returning to the Institute for Romance Philology, he’s settling into his amusingly small-minded routine, holding his blotter up to a mirror to see whether he can identify Unterholzer’s handwriting, when he learns that his magnum opus Portuguese Irregular Verbs has been checked out of the Institute’s library in his absence. The upshot finds von Igelfeld in Colombia, where he receives a series of increasingly improbable appointments, spends a memorable few days at Señora Dolores Quinta Barranquilla’s Villa of Reduced Circumstances, comes face-to-face with a guerilla uprising, and distinguishes himself as a statesman and war hero before floating back home.

Though the first story is piffle, the second is a worthy apotheosis for Smith’s charmingly clueless pedagogue. (Illus. throughout with b&w block prints)

Pub Date: Jan. 4, 2005

ISBN: 1-4000-9509-3

Page Count: 128

Publisher: Anchor

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2004

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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