Like these lovable antiheroes of the past, von Igelfeld remains a gentle figure who deserves every cartoon anvil that falls...
First in the three cycles of stories introducing quietly hapless Prof. Dr. Moritz-Maria von Igelfeld, of the Institute of Romance Philology.
“All I want is love,” dolefully reflects the author of that standard but slow-selling reference work, Portuguese Irregular Verbs, “and a tiny bit of recognition from the Portuguese.” What he gets instead is a series of eight little adventures that add up to a life of quiet desperation. Sidelined from his original interest in Early Irish by his landlady’s horror at discovering a German translation of the off-color remarks a surviving speaker of Early Irish shared with him, he settles into a chair at Regensburg. Although he ventures as far afield as Italy and India, von Igelfeld remains as predictable in his habits and as impervious to the outside world as Kant. Supported by his colleagues, the unfortunately named Prof. Dr. Detlev Amadeus Unterholzer and Prof. Dr. Dr. (honoris causa) Florianus Prinzel, who looks like an athlete but isn’t, he plays tennis after spending an hour with a rulebook, recalls a foreshortened duel that ended with a foreshortened nose, attempts to disprove a xenophobic Sienese landlady’s claims that Germans eat too much, falls in love with his dentist, and turns himself radioactive. Trudging stoutly from one academic conference to the next, von Igelfeld recalls the great 19th-century comedies of minutiae inflated to monstrous proportions, though he’s less majestic than Mr. Pickwick and less fiercely stupid than Bouvard and Pécuchet. Perhaps the closest analogy is Mr. Pooter, the office drudge of George and Weedon Grossmith’s Diary of a Nobody, whose indulgently satiric tone Smith faithfully reproduces.
Like these lovable antiheroes of the past, von Igelfeld remains a gentle figure who deserves every cartoon anvil that falls on his head but retains his dignity and goodness throughout. (Illus. throughout with b&w block prints)Pub Date: Jan. 4, 2005
ISBN: 1-4000-7708-7
Page Count: 128
Publisher: Anchor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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