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THE ASTOR ORPHAN

A MEMOIR

Vividly gothic family romance.

In this novelistic debut, a poor girl with a rich pedigree remembers coming-of-age in the decaying shell of her family’s once-grand Hudson Valley home.

By the time Aldrich’s grandparents inherited the Rokeby estate, their branch of a dynasty that included the 19th-century trader John Jacob Astor had lost almost all its wealth except for the 450-acre lot on the Hudson that had been in the family since the 1680s. Three hundred years later, when this memoir opens, the 10-year-old Aldrich and her destitute parents shared the elegantly crumbling mansion with her better-off aunt and uncle and two younger cousins. Her alcoholic grandmother and a pampered Labrador retriever shared a less-opulent guesthouse of more recent vintage, and a motley assortment of transients and bohemians lived rent-free, courtesy of her father Teddy’s generosity (or inability to say no), in various outbuildings scattered around the property. A bright and sensitive girl on the doorstep of puberty, Aldrich was just beginning to feel the sting of shame associated with being the child of the charming but feckless Teddy, who, though educated at the best schools, had no skills or desires to be anything but the lord of Rokeby, and his beautiful, sharp-tongued wife. Her shame only increased when Teddy welcomed a mysterious French woman named Giselle into the fold. Rokeby had once been a paradise for Aldrich. With its scandalous secrets, it was becoming more like a prison she longed to escape through the auspices of a hypothetical unknown wealthy aunt or through her own skill at the violin. It’s a trick to tell a story this rich and complicated through the eyes of a child without losing the subtleties of character and nuances of history, but Aldrich pulls it off with aplomb.

Vividly gothic family romance.

Pub Date: April 16, 2013

ISBN: 978-0062207937

Page Count: 272

Publisher: Ecco/HarperCollins

Review Posted Online: March 15, 2013

Kirkus Reviews Issue: April 1, 2013

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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