A queer and fantastical romance that enchants in more ways than one.
Fairy mischief descends on Regency England once again.
The Caesar family occupies a delicate position in 1815 London. They are welcome at most society functions because Lady Mary is the daughter of an earl, but they're kept at arm’s length because her husband is a Senegalese freeman, leaving the family's three children at odds as they enter adulthood. The eldest son, Mr. Caesar, knows he ought to find a career and settle down, but he has no interest in doing so—he's a dandy, plus he's only attracted to men. For the most part, he keeps to the sidelines, until he punches a major in the teeth for insulting the older of his two sisters, Miss Caesar. Not long after, Miss Caesar makes a deal with a fairy that turns her into "the Beauty Incomparable," making the Caesars the center of conversation across London. All this sudden excitement brings Mr. Caesar into repeated contact with Captain Orestes James, a Black man who lives his life much more authentically alongside a steadfast group of soldiers called the Irregulars—which causes Mr. Caesar to imagine other possibilities for his life. And who recounts this complex and quirky story for our mortal enjoyment? Just as in Hall’s Mortal Follies (2023), it’s none other than Robin Goodfellow, still in exile from the court of Oberon and grumpy as ever at having to write up yet another story of foolish mortal behavior in order to make ends meet. (And while this volume stands alone fairly well, it will be best enjoyed after having read the first). His deliciously cruel and flippant voice once again provides a clever framework for the story’s balance of levity and gravity. As “the vagaries of mortal physicality mean little” to Robin, the story is fairly closed-door by Hall’s standards, but there are sparks of chemistry between Mr. Caesar and Captain James. And though the romance often takes a back seat to the grander plot, thanks to piles of rich detail, mythological references, and interactions with the Other Court, readers may not even notice.
A queer and fantastical romance that enchants in more ways than one.Pub Date: Aug. 27, 2024
ISBN: 9780593497586
Page Count: 448
Publisher: Del Rey
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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