A short set of visual puzzles, closer in overall complexity to Richard Scarry than Where’s Waldo.
A pioneer of the “busy, busy crowd scene” style of illustration slips into the digital domain with tablet versions of several classic titles—including this low-key but involving example.
Viewers can zoom in and pan around seven screens, each an angled aerial view of several dozen active people in an airport, zoo, swimming pool, city intersection or other town setting. There is no animation, but along with quiet crowd and traffic background noises, many figures will respond to taps with exclamations, giggles or other sounds. These are signaled, strangely, by a flurry of visible musical notes, though except for a busker in one scene, there is no music. As an ongoing test of visual memory, children can collect stars by using a feature that opens a set of albums on each screen with “snapshots” of fine details in the larger scenes to spot and capture with a roving “camera.” Signs on shops and elsewhere change according to which of the five European languages is selected at the beginning, but in a translator’s bobble, one scene is titled “On the Market” in English. Less fixable are the antique cassette-tape players, on-shoulder video cameras and other period details in the art. Still, Mitgutsch’s cartoon figures are clear and sharply focused at any magnification and their jobs or activities easy to follow.
A short set of visual puzzles, closer in overall complexity to Richard Scarry than Where’s Waldo. (iPad seek-and-find app. 3-5)Pub Date: Oct. 11, 2012
ISBN: N/A
Page Count: -
Publisher: Ravensburger Digital
Review Posted Online: Nov. 30, 2012
Kirkus Reviews Issue: Dec. 15, 2012
BOOK REVIEW
A wandering effort, happy but pointless.
The perfect book for kids who love dragons and mild tacos.
Rubin’s story starts with an incantatory edge: “Hey, kid! Did you know that dragons love tacos? They love beef tacos and chicken tacos. They love really big gigantic tacos and tiny little baby tacos as well.” The playing field is set: dragons, tacos. As a pairing, they are fairly silly, and when the kicker comes in—that dragons hate spicy salsa, which ignites their inner fireworks—the silliness is sillier still. Second nature, after all, is for dragons to blow flames out their noses. So when the kid throws a taco party for the dragons, it seems a weak device that the clearly labeled “totally mild” salsa comes with spicy jalapenos in the fine print, prompting the dragons to burn down the house, resulting in a barn-raising at which more tacos are served. Harmless, but if there is a parable hidden in the dragon-taco tale, it is hidden in the unlit deep, and as a measure of lunacy, bridled or unbridled, it doesn’t make the leap into the outer reaches of imagination. Salmieri’s artwork is fitting, with a crabbed, ethereal line work reminiscent of Peter Sís, but the story does not offer it enough range.
A wandering effort, happy but pointless. (Picture book. 3-5)Pub Date: June 14, 2012
ISBN: 978-0-8037-3680-1
Page Count: 40
Publisher: Dial Books
Review Posted Online: March 27, 2012
Kirkus Reviews Issue: April 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
