Master storyteller Hoffman’s tale pours like cream but is too thick with plot redundancies and long-winded history lessons.
Set in late-17th-century England and America, the pre-prequel to Hoffman’s Practical Magic (1995) and The Rules of Magic (2017) covers the earliest generations of magically empowered Owens women and the legacy they created.
In 1664, Hannah Owens, practitioner of “the Nameless Art” sometimes called witchcraft, finds baby Maria abandoned near her isolated cottage in Essex County, England. She lovingly teaches ancient healing methods to Maria, whose star birthmark indicates inherent magical powers; and since Hannah considers ink and paper the most powerful magic, she also teaches Maria reading and writing. After vengeful men murder Hannah in 1674, Maria escapes first to her unmotherly birth mother, a troubled practitioner of dark, self-serving magic, then to Curaçao as an indentured servant. At 15 she is seduced by 37-year-old American businessman John Hathorne (his name an allusion to Nathaniel Hawthorne, who wrote about mistreatment of marked women). Enchanted by the island, Puritan Hathorne loses his rigidity long enough to impregnate Maria before returning to Salem, Massachusetts, without saying goodbye. Maria, with new daughter Faith, whose birthmark is a half-moon, follows him. The ship on which she travels is captained by a Sephardic Jew who gives her passage in return for treating his son’s dengue fever, an excuse for Hoffman to link two long-standing unfair persecutions—of smart women as witches and Jews as, well, Jews. That Maria will find a truer love with warmhearted Jewish sailor Sam than with icy Hathorne makes sense in terms of later Owens women’s stories. For the earlier books to work, Maria must found her female dynasty in Salem, but first she and Faith face betrayals, mistakes, and moral challenges. Maria uses her powers to help others but often misreads her own future with devastating results; separated from Maria during her childhood, emotionally damaged Faith is tempted to use her grandmother’s selfish “left-handed” magic.
Master storyteller Hoffman’s tale pours like cream but is too thick with plot redundancies and long-winded history lessons.Pub Date: Oct. 6, 2020
ISBN: 978-1-982108-84-7
Page Count: 416
Publisher: Simon & Schuster
Review Posted Online: Aug. 18, 2020
Kirkus Reviews Issue: Sept. 1, 2020
A unique concept that promises readers will find at least one, if not three, entwined but different narratives to enjoy.
When Vis is copied into two other realities, he must stop a god from repeatedly culling almost everyone back home.
Thousands of years ago, to prevent the Concurrence from enslaving everyone, the world was split into three near-identical copies: Res, Obiteum, and Luceum. To exist in all three worlds, to wield Will there, is to achieve synchronism. After the events in The Will of the Many (2023), which cost Vis his arm and the life of his friend, Vis achieves Synchronism. While Res-Vis must continue to play Hierarchy politics to find his friend’s killer, Obiteum-Vis finds a ruined world, where the dead are reanimated and used by Ka, the Concurrence, and the only other person to exist in synchronism. Meanwhile, Luceum-Vis is forced into a dispute between druids, their High Council, and their kings—with one king intent on killing him—and Vis has no idea why. On all worlds, Vis is as shrewd as ever, weighing his options, planning ahead, and doing what he must to survive. However, he, too, slowly diverges, doing things he swore he never would: cede his Will, use Will to control someone else, and reveal his true name. If at least one Vis cannot use his synchronism and power of Will to kill the Concurrence, no Vis will be safe, and another Cataclysm will cull those he loves on Res. Book Two of the Hierarchy series is a speculative fantasy that is at once Egyptian post-apocalyptic, Celtic medieval, and Roman dystopian, thanks to the multidimensional setting. Although the sprawling narrative at times overextends itself, Islington rewards patient readers with a compelling story, a cast of complex and diverse characters, and a glimpse into how far a good man can go before he’s lost. A symbol at the start of each chapter delineates which world and Vis it’s about. Readers should read The Will of the Many before attempting this volume, or they may be confused for the first several chapters and beyond.
A unique concept that promises readers will find at least one, if not three, entwined but different narratives to enjoy.Pub Date: Nov. 11, 2025
ISBN: 9781982141233
Page Count: 736
Publisher: Saga/Simon & Schuster
Review Posted Online: Oct. 10, 2025
Kirkus Reviews Issue: Nov. 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
