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SURVIVAL LESSONS

A lightweight but heartening book.

A how-to guide to facing death and living life by the popular novelist and cancer survivor.

When Hoffman (The Dovekeepers, 2011, etc.) received the diagnosis about her lump, her immediate response was denial: “I was busy after all, the mother of two young sons, caring for my ill mother, involved in my writing. My most recent novel, Here on Earth, had been chosen as an Oprah Book Club Choice; an earlier novel, Practical Magic, was being filmed in California with Sandra Bullock and Nicole Kidman. I didn’t have time to be ill.” Once she came to terms with the fact that disease doesn’t necessarily strike at our convenience, she was able to deal directly with her situation, put her life in perspective and get her priorities in order. She was one of the lucky ones—15 years later, she remains very much alive and productive, capable of writing the book that might have helped her when the shock of cancer blindsided her. “In many ways I wrote Survival Lessons for myself to remind myself of the beauty of life, something that’s all too easy to overlook during the crisis of illness or loss,” she writes. Though Hoffman has earned renown as a talented writer, this isn’t really a writerly book, but more like conversational advice from a close friend. Most of the advice is common sense, yet the element of choice is crucial when faced with a fate that seems beyond your control. You can choose how to respond and put your crisis in perspective: “Good fortune and bad luck are always tied together with invisible, unbreakable thread.” Hoffman ends with words of wisdom from her oncologist, who advised that, “cancer didn’t have to be my entire novel. It was just a chapter.” In other words, this too shall pass.

A lightweight but heartening book.

Pub Date: Oct. 1, 2013

ISBN: 978-1-61620-314-6

Page Count: 120

Publisher: Algonquin

Review Posted Online: March 23, 2013

Kirkus Reviews Issue: April 15, 2013

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Pulitzer Prize Finalist


  • National Book Award Winner

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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