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THE INVISIBLE HOUR

Not one of Hoffman’s best, but it may spark a desire to reread Hawthorne.

In this story of a young woman’s attempt to control her destiny, Hoffman combines a paean to reading and books—specifically one book—with time-travel fantasy.

Fifteen-year-old Mia Jacob lives unhappily in the Community, a modern-day cult in western Massachusetts, where women who fail to obey the rigid rules set by despotic leader Joel Davis must wear letters around their necks or branded on their arms. (Sound familiar?) Mia’s mother, Ivy, who came to the Community as a pregnant, runaway teen and reluctantly married Joel, now secretly encourages Mia’s small rebellions, steering her to read books, an activity Joel made Ivy abandon. Mia becomes obsessed with The Scarlet Letter after finding a first edition mysteriously inscribed “To Mia.” After Ivy’s death, Mia escapes the Community. Under the tutelage of Constance Allen and Sarah Mott, a loving couple of lesbian librarians in Concord (where Hawthorne is buried), she finishes growing up and becomes a librarian herself, although Joel continues hounding her. One day, while visiting Hawthorne’s grave, she makes a wish that she could meet the author. Poof! At its midpoint, Hoffman’s novel transforms from a relatively realistic story of female empowerment and the spiritual/psychological magic of reading into pure fantasy. Mia finds herself transported to 1837 Salem. Hawthorne, a struggling young writer whose book Twice-Told Tales has recently been a commercial flop, finds Mia asleep in the grass. She lamely announces, “I came from another time only to meet you,” and they fall rapturously in love, but the inevitable time-travel question arises: If she stays with him, will she alter history? Mia recognizes that The Scarlet Letter is her life story; if the book did not exist, would she? Hoffman makes Nathaniel dreamily appealing and creates a riveting voice for his sister Elizabeth, whose brilliance is thwarted by the times in which she lives, but Mia is more author’s puppet than character, and Hoffman’s worthy message concerning women’s rights feels repetitive and ultimately didactic. More important, the realism and fantasy never quite jibe.

Not one of Hoffman’s best, but it may spark a desire to reread Hawthorne.

Pub Date: Aug. 15, 2023

ISBN: 9781982175375

Page Count: 272

Publisher: Atria

Review Posted Online: May 24, 2023

Kirkus Reviews Issue: June 15, 2023

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I, MEDUSA

An engaging, imaginative narrative hampered by its lack of subtlety.

The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.

In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.

An engaging, imaginative narrative hampered by its lack of subtlety.

Pub Date: Nov. 18, 2025

ISBN: 9780593733769

Page Count: 336

Publisher: Random House

Review Posted Online: Aug. 16, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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