A lyrical, monumental work of fact and imagination that reads like an oral history revved up by the drama of the event.
Twenty-four voices—of passengers, rats and even the iceberg—evoke the human tragedy of the ill-fated voyage.
Titanic was a floating city, “the largest moving thing on the planet ever made by man.” She sank quickly on the night of April 14-15, 1912, and only 712 of the 2,207 passengers survived. Wolf brings the history and, more importantly, the human scale of the event to life by giving voice to the players themselves—the captain, the lookout, the millionaire, the socialite and various workers and passengers representing all classes of society that floated to their doom. The undertaker, out of Halifax, is the first voice, penultimate voice and intermittent commentator, gathering floating clumps of corpses in “a dead man’s sad regatta.” The iceberg, the voice of the ages, floats with a primordial indifference… but with a plan. Rats have the last word, as they scurry off to “follow the future / follow the food.” As he did in New Found Land: Lewis and Clark’s Voyage of Discovery (2004), Wolf draws on a prodigious amount of research to fully realize each character; they are real people just telling their stories, all the more poignant because readers know their fates and recognize prophetic comments along the way. Extensive backmatter includes character notes, a Titanic miscellany and a large bibliography with books, websites and audio resources for the many readers who will want to know more.
A lyrical, monumental work of fact and imagination that reads like an oral history revved up by the drama of the event. (Historical fiction. 14 & up)Pub Date: Oct. 1, 2011
ISBN: 978-0-7636-3703-3
Page Count: 472
Publisher: Candlewick
Review Posted Online: Aug. 2, 2011
Kirkus Reviews Issue: Aug. 15, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A heavy read about the harsh realities of tragedy and their effects on those left behind.
In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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