Lively fun, though not as stylish as Stoker or Kim Newman.
Simply amazing! First-novelist Kupfer, who teaches film and lit studies largely devoted to horror, has a grandfather . . . well, that’s too involved, but a Kupfer family heirloom exists: a diary written by none other than Bram Stoker’s great vampire hunter, Dr. Abraham Van Helsing.
Which is what Kupfer here presents. It’s nicely illustrated by someone with an unreadable signature (“VH”?) who clearly loves celebrated fantasy artist Virgil Finlay. Professor Van Helsing tells us (back in 1886) that he’s open-minded about folk cures, herbs, fetishes, etc., and so when he hears Hungarian Dr. Radu Borescu lecture about a blood contagion in Transylvania, he decides to accept Borescu’s offer of a visit to darkest Hungary for further folk-learning. Meanwhile, Van Helsing’s wife Rita lies quite pale from this very contagion, though Abraham thinks she’s only mildly ill. No sooner does he arrive at Borescu’s country retreat than a vampire dissolves before him into green muck when it tries to cross running water. Shocking? Well, Van Helsing absorbs this horror rather easily. That evening he himself is attacked by a child vampire and a naked, large-breasted Lamia named Malia, whom the erotically entranced doctor must invite into his room before she can caress and strike her canines into his neck. When Dr. Borescu tries to save Van Helsing, however, Malia does attack and fatally infect Borescu. Then it’s up to a pious Father Dobra and Van Helsing to drive a wooden stake through Borescu’s heart as his crimson eyes mark his full turning and befoulment. Van Helsing vows to fight these creatures, but the train he leaves on is attacked by Malia (who turned Vlad Tepes centuries ago), giant bats, and slavering wolves that leave an abomination of bodies in the compartments. Can things get worse? Yes, indeed, as Van Helsing finds when his seemingly recovered wife wastes and falls into crimson-eyed delirium. Will Rita need . . . the stake?
Lively fun, though not as stylish as Stoker or Kim Newman.Pub Date: April 1, 2004
ISBN: 0-765-31011-2
Page Count: 208
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2004
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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