A predictable tale that boldly goes where no one should have gone.
In Hugo Award–winning author Steele’s (V-S Day, 2014, etc.) latest novel, a popular science-fiction writer aims to colonize space.
Nathan Arkwright, a venerated sci-fi icon somewhere between Isaac Asimov and Gene Roddenberry, was the creator of the Galaxy Patrol, a series of space-adventure novels which were developed into a television show and films. Upon his death, his estranged granddaughter, Kate, discovers Arkwright’s entire estate will be going to fund something called the Arkwright Foundation. She soon learns the foundation’s aim is to launch genetic material—harvested from the descendants of Arkwright and his circle of sci-fi author and editor cronies, among others—into the far reaches of space. When the rocket reaches a habitable planet, the ship’s computer will combine the oocytes and sperm into embryos and gestate them in an artificial uterus, thus creating the first human settlement in space, complete with copies of Arkwright’s first book, Galaxy Patrol, of course. Steele’s book is laid out in a series of novella-length stories and shorter interludes; throughout, characters bearing the Arkwright name shuffle their ways through events of the recent past or the far future, culminating in a groan-worthy and wholly unoriginal ending. The connections from one story to the next are generally too tenuous to be very compelling, leaving the book as a whole feeling like a collection of half-baked ideas that Steele couldn’t be bothered to develop into a full-length series. Many of the book’s real-world details are either inaccurate (the predominant language of India is not “Indian,” for instance) or peddle obnoxious stereotypes: religious protesters are uniformly portrayed as violent fanatics with comically misspelled protest signs, while a white character’s first experience on a Caribbean island is getting scammed by an official Steele describes as “a tall black man with a purple-dyed 'fro” committing an act of “third-world graft.” Suffice it to say, no one will feel compelled to preserve this book for future generations.
A predictable tale that boldly goes where no one should have gone.Pub Date: March 1, 2016
ISBN: 978-0-7653-8215-3
Page Count: 336
Publisher: Tor
Review Posted Online: Jan. 9, 2016
Kirkus Reviews Issue: Jan. 15, 2016
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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