Two reveals plus the lie’s exposure surprisingly lead to relief for Sanskrit’s soul; hopefully moral growth follows.
Funny and glum, neglected yet self-serving, Sanskrit Aaron Zuckerman (“that’s my name, in all its confusing glory”) trudges through junior year with a large, stupid lie on his shoulders.
Sanskrit’s accustomed to his mother’s emotional absence; she’s preoccupied with yoga and named him after the ancient Indian language, revealing hippie leanings that match neither his lethargic atheism nor his school’s Modern Orthodox Judaism. When Mom garners schoolwide attention by missing a parent-teacher conference, Sanskrit announces she’s been in a near-fatal accident. The outpouring of sympathy, especially from a girl he’s adored since age 7, is like manna. Judi spurned him in second grade, and he’s still obsessed with that rejection. His parents are divorced, inattentive and flaky; old friend Herschel is more religious and moral than Sanskrit can bear; and Sanskrit’s late, Holocaust-survivor grandfather left him funding for Jewish education only (otherwise the money goes to Tay-Sachs research), forcing Sanskrit into Jewish school. His loneliness and his anxiety about the pressures attendant on being the descendent of a survivor are understandable, and sometimes he’s hilarious (“Can breasts look disappointed?”), but his self-centeredness is repugnant (in addition to the lie, he bets on teachers’ heart attacks). India is used for “exotic” textual flavor with a reductionist American slant: Chai, for instance, is “the taste of India.”
Two reveals plus the lie’s exposure surprisingly lead to relief for Sanskrit’s soul; hopefully moral growth follows. (Fiction. 12-16)Pub Date: Aug. 28, 2012
ISBN: 978-1-60684-296-6
Page Count: 320
Publisher: Egmont USA
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
Heartbreaking, historical, and a little bit hopeful.
January 1945: as Russians advance through East Prussia, four teens’ lives converge in hopes of escape.
Returning to the successful formula of her highly lauded debut, Between Shades of Gray (2011), Sepetys combines research (described in extensive backmatter) with well-crafted fiction to bring to life another little-known story: the sinking (from Soviet torpedoes) of the German ship Wilhelm Gustloff. Told in four alternating voices—Lithuanian nurse Joana, Polish Emilia, Prussian forger Florian, and German soldier Alfred—with often contemporary cadences, this stints on neither history nor fiction. The three sympathetic refugees and their motley companions (especially an orphaned boy and an elderly shoemaker) make it clear that while the Gustloff was a German ship full of German civilians and soldiers during World War II, its sinking was still a tragedy. Only Alfred, stationed on the Gustloff, lacks sympathy; almost a caricature, he is self-delusional, unlikable, a Hitler worshiper. As a vehicle for exposition, however, and a reminder of Germany’s role in the war, he serves an invaluable purpose that almost makes up for the mustache-twirling quality of his petty villainy. The inevitability of the ending (including the loss of several characters) doesn’t change its poignancy, and the short chapters and slowly revealed back stories for each character guarantee the pages keep turning.
Heartbreaking, historical, and a little bit hopeful. (author’s note, research and sources, maps) (Historical fiction. 12-16)Pub Date: Feb. 2, 2016
ISBN: 978-0-399-16030-1
Page Count: 400
Publisher: Philomel
Review Posted Online: Nov. 2, 2015
Kirkus Reviews Issue: Nov. 15, 2015
PROFILES
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.
A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
