For Brosh’s millions of fans, this is well worth the wait.
The award-winning author and illustrator delivers the long-awaited sequel to her 2013 bestseller, Hyperbole and a Half.
During the past decade-plus, Brosh has amassed a devoted fan base, most of whom first fell in love with the Hyperbole blog she began in 2009. Much of that material, which consisted of random musings, hilarious stories, and colorful, primitive drawings, ended up in her first book, a bestseller that earned glowing reviews from Elizabeth Gilbert and Bill Gates. Then Brosh, who has been open about her battles with depression, seemingly disappeared, much to the consternation and concern of her devotees. Originally slated for release in 2016, Solutions and Other Problems was perpetually postponed without explanation. The author covers some of the backstory here, which includes her divorce and her sister’s tragic death. “We’d always had a strange relationship, and I wasn’t prepared for it to be over,” she writes. “I don’t think either of us understood how much I loved her. It seemed like there’d be enough time to sort it out.” Thankfully, Brosh’s storytelling is so distinctive and compelling it’s like suddenly running in to a friend you feared was lost forever. The important thing is that she’s back, with fresh material and more than 1,600 pieces of art. Like her last book, this one draws heavily from her unconventional childhood. She recounts stories about getting stuck in a bucket and stalking her neighbor, and, of course, there are plenty of dog stories. Brosh also hilariously describes an experiment with drugs that reads like a budget-friendly version of an Ayahuasca ritual. She contemplates daydreams, wars with technology, and her efforts to befriend herself. The author reliably channels the simplicity of a child or the innocence of an animal and tells raucous, heartbreaking stories that reflect the hidden parts of us all. The existential kaleidoscope occasionally gets trippy, but the majority of the book is nourishing and warmly satisfying.
For Brosh’s millions of fans, this is well worth the wait.Pub Date: Sept. 22, 2020
ISBN: 978-1-982156-94-7
Page Count: 528
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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