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WHY I KILLED MY BEST FRIEND

A spare but affecting novel about love and war during the restless decades.

Two girls, entranced with each other and hopelessly intertwined, grow up in the political chaos of Greece.

Another fine entry in the University of Rochester’s Open Letter series of literary translations, this cerebral novel by prizewinning novelist Michalopoulou (I’d Like, 2008, etc.) recounts a friendship of the kind that marks us for life. Maria is just a child in the late 1970s when she's uprooted from the home she treasures in Nigeria and returns with her parents to crowded, unstable Athens. Her life is changed forever when she meets Anna, an angelic-looking classmate who is also a refugee, albeit from vogue Paris and not the wilds of Africa. Anna is a strange creature whose outer beauty disguises a passionate, ruthless and politically volatile mind. The novel tracks their unpredictable relationship through their adolescence in the 1980s to one character's untimely end (though it should be fairly obvious that the provocative title—Maria’s chosen title for the novel she imagines writing about Anna—is metaphorical rather than literal). It does take decades for Maria to see past Anna’s many betrayals, childish tests and impulsive leaps into their country’s radical politics and take her for what she really is. Here’s a notable moment in Maria’s blooming self-awareness: “I’m beginning to understand the mechanism behind her charm: she does something insane, something out of keeping with her beauty, her image, the way she dresses. Then she uses that conspicuous act like a blanket: she wraps herself up in it, becomes that act. In the eyes of others, Anna is an allegory for generosity, courage, resourcefulness. She does things that occur to other people only fleetingly, enacts scenarios from the realm of instinct. She charms, she torments, she curses, she kills.” A deft translation from the Greek by Emmerich helps Michalopoulou bring this emotional love-hate relationship to life.

A spare but affecting novel about love and war during the restless decades.

Pub Date: May 20, 2014

ISBN: 978-1-934824-74-0

Page Count: 257

Publisher: Open Letter

Review Posted Online: May 6, 2014

Kirkus Reviews Issue: May 15, 2014

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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