edited by American Society of Magazine Editors ‧ RELEASE DATE: Dec. 1, 2008
Significance and relevance delivered by way of superlative prose and keen journalistic investigation.
Consistent excellence distinguishes this annual series, and while all 20 selections are brilliant in their own right, the most contemporary ones steal the show.
The collection opens with “Everybody Sucks” (New York), Vanessa Grigoriadis’s clever analysis of the “weird fascination” exerted by the media-gossip blog gawker.com, which published derisive commentary about her and her husband the day after she was married. Several investigative pieces report from overseas: Peter Hessler scrutinizes the exploding economic consumerism of newly created “factory towns” in “China’s Instant Cities” (National Geographic), and William Langewiesche vets Brazil’s dubious state of governmental protection and general safety in “City of Fear” (Vanity Fair). Shards of irony tinge the humorous essays of social critic Caitlin Flanagan, who logs onto some young-adult, profile-based websites in “Babes in the Woods” (The Atlantic), and of Christopher Hitchens, who skewers the blatant hypocrisy marinating the Larry Craig foot-tapping scandal in his brief, brilliant commentary, “So Many Men’s Rooms, So Little Time” (Slate). Striking profiles include Steve Oney’s moving portrait of Marine Corps corporal Chris Leon, a young soldier serving in the war-ravaged city of Ramadi who perished at the hands of a sniper (“Casualties of War,” Los Angeles); “Pat Dollard’s War on Hollywood” (Vanity Fair), in which Evan Wright amusingly trails the eccentric man who abandoned Tinseltown in favor of a life producing documentaries; and Paige Williams’s touching portrayal of the tragic yet amazing spiritual journey of a fearless teenager (“You Have Thousands of Angels Around You,” Atlanta). Most disturbing is Thomas E. Kennedy’s harrowing “I Am Joe’s Prostate” (New Letters), a slice of real-life journalism that intimately describes the kind of invasive procedures that have been keeping men away from the doctor’s office for centuries.
Significance and relevance delivered by way of superlative prose and keen journalistic investigation.Pub Date: Dec. 1, 2008
ISBN: 978-0-231-14714-9
Page Count: 528
Publisher: Columbia Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2008
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More by American Society of Magazine Editors
BOOK REVIEW
edited by American Society of Magazine Editors
BOOK REVIEW
edited by American Society of Magazine Editors
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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