An assiduously researched, cleareyed depiction of genocide.
In Pajalić’s novel, the lead enters adolescence during the Serbian ethnic cleansing of Muslims in Bosnia.
After the influx of refugees from the ongoing genocide, Dževahira Torlak, who goes by Seka, lives in besieged Srebrenica with her parents, grandparents, older brother, her mother’s sister and sister-in-law, as well as an uncle and two young cousins. Her family has taken in two refugees, Edina Muharemović and her son, Ramo, who is Seka’s age. As the family works to survive continual bombing, snipers, disease, and hunger, Seka and Ramo grow close and begin a romance as the years go by. In imitation of Anne Frank, Seka, who’s Muslim, writes in a diary to her friend, Zora, a Serb who evacuated with her family before the war. Seka’s writing eventually brings her into contact with a journalist from Australia, where Zora now lives. Alyssa, the journalist, enlists Seka to write an exposé of the corruption in Srebrenica, which stems from closer to home than Seka first realizes. While the novel doesn’t require foreknowledge of the Bosnian genocide, Pajalić doesn’t provide much scaffolding; readers may want to research as they read. In an introduction, Pajalić provides trigger warnings, an index, and a glossary, all helpful tools for this harrowing story. According to the author, the “novel blends factual history with fictional storytelling to explore themes of justice, trauma, and complicity.” She gathered information for the novel from interviews she conducted with survivors of the genocide. Essays based on these interviews are collected in another of Pajalić’s books, Fragments of History: The Essays Behind the Stories. The novel, a thriller, deploys the drama and tension of the genre, though the action falls a bit flat during one character’s sudden villainous turn. Devastating descriptions of the gory consequences of war are the standout scenes here. Still, Seka experiences moments of beauty and joy, all lushly described: “I lost myself in the music, the anonymity of the darkness around us, the heaving bodies, and closed my eyes as I moved.” The novel skewers the international community’s complicity in genocide, which continues today.
An assiduously researched, cleareyed depiction of genocide.Pub Date: yesterday
ISBN: 9781922871534
Page Count: 330
Publisher: Pishukin Press
Review Posted Online: Aug. 6, 2025
Kirkus Reviews Issue: Oct. 1, 2025
Review Program: Kirkus Indie
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Vintage Follett. His fans will be pleased.
A dramatic, complex imagining of the origins of Stonehenge.
In about 2500 B.C.E. on the Great Plain, Seft and his family collect flints in a mine. He dislikes the work, and the motherless lad hates the abuse he gets from his father and brothers. He leaves them and arrives at a wooden monument where sacred events such as the Midsummer Rite take place. There are also circles of stones that help predict equinoxes, solstices, even eclipses. This is a world where the customary greeting is “May the Sun God smile on you,” and everyone is a year older on Midsummer Day. Except for a priestess or two, no one can count beyond fingers and toes—to indicate 30, they show both hands, point to both feet, then show both hands again. Casual sex is common, and sex between women is less common but not taboo. Joia, a young woman who becomes a priestess, wonders about her sexuality. After a fire destroys the Monument, she leads a bold effort to rebuild it in stone. To please the gods, they must haul 10 giant stones from distant Stony Valley. Of course neither machinery nor roads exist, so the difficulties are extraordinary. Although the project has its detractors, hundreds of able-bodied people are willing to help. Craftspeople known as cleverhands construct a sled and a road, and they make the rope to wrap around the stones. Many, many others pull. And pull. Meanwhile, the three principal groups—farmers, woodlanders, and herders—all have their separate interests. There is talk of war, which Joia has never seen in her lifetime. Soon it seems inevitable that the powerful farmers will not only start one but win it, unless heroes like Seft and Joia can come up with a creative plan. But there is also the matter of love for Joia in this well-plotted and well-told yarn. The story has a lot of characters from multiple tribes, and they can be hard to keep track of. A page in the front of the book listing who’s who would be helpful.
Vintage Follett. His fans will be pleased.Pub Date: Sept. 23, 2025
ISBN: 9781538772775
Page Count: 704
Publisher: Grand Central Publishing
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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