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LOOSE DIAMONDS

...AND OTHER THINGS I'VE LOST (AND FOUND) ALONG THE WAY

These bagatelles offer glittering diversion but little of lasting worth.

Sex and the City meets Erma Bombeck in this gossamer gathering of recollections from novelist Ephron (One Sunday Morning, 2005, etc.).

True to its title, the book flaunts the glimmers of memory that the author haphazardly crafts into vignettes detailing her bohemian-chic adventures in Los Angeles and New York—with an emphasis on the chic. Starting off as a wild child in the 1970s, she recounts swilling champagne with glamorous friends, buying couture from Saks Fifth Avenue and interviewing Manson Family member Squeaky Fromme at the Spahn Ranch. Ephron’s most entertaining anecdotes date from this era, as she name-drops celebrity friends and shines a light on the inner workings of the National Lampoon during its heady countercultural years. Less sparkling are her attempts to frame her contemporary life with her second husband and five children as a Beverly Hills version of Cheaper by the Dozen. Readers may find it difficult to conjure much empathy for a woman who disparages Elizabeth Taylor’s gigantic diamond ring as extravagant, but laments the theft of her own baubles fashioned by the likes of Tiffany, Cartier and Elsa Peretti. This theft, one of several that hit the Los Angeles area, understandably shook up the author, and the event functions as a sort of connecting thread for the collection. However, even when commenting on the serial burglar’s habit of creating a different persona for each house, she fails to delve further. Accounts of the hostile mothers at her son’s private school similarly fail to engage. While Ephron has enough of a sense of humor to keep these pieces from completely lacking in self-awareness, her writing too often skims the surface, even for comic musings. Likewise, the more somber essays addressing her mother’s depression and Ephron’s own experience with date rape are meandering and unfocused.

These bagatelles offer glittering diversion but little of lasting worth.

Pub Date: Sept. 6, 2011

ISBN: 978-0-06-195874-8

Page Count: 176

Publisher: Morrow/HarperCollins

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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