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DATA, A LOVE STORY

HOW I GAMED ONLINE DATING TO MEET MY MATCH

Pleasant, geeky fun.

A female journalist/digital media strategist's wry account of how she used mathematics, data analysis and spreadsheets to find the love of her life.

Time was running out for 30-something Webb, who desperately wanted to get married and start a family. So she followed the advice of friends and family and tried online dating "to cast a very wide net" and find "the perfect man." Unfortunately, her computer matches were less than inspiring. Some blatantly misrepresented themselves; others were bores, dorks, egotists, mooches, sex fiends or married men on the make. Webb finally realized that she wasn't getting better responses for two reasons: her own lack of specificity about what she wanted in a potential spouse and the absence of a personal system to help her determine which matches would make good dates. She developed a list of 72 desirable characteristics, which she then boiled down to 25, ranked and numerically weighted according to importance. Webb then went to work revamping her online profile in order to get the most responses from the best possible matches for her. To get the data she needed to do this, she created several profiles for fictional men with the characteristics she sought. All of the females who responded seemed shallow, but Webb also saw that they were among the most popular with the most attractive and successful men. Then she had a flash of insight: Regardless of their real-world accomplishments, "these women were approachable [and] seemed easy to date.” Armed with this knowledge, the author recreated her online image to market herself as "the sexy-girl-next-door" rather than a competitive, neurosis-stricken workaholic. Ultimately, she got her man, "a storybook wedding" and the longed-for child. But some readers may wonder how the things Webb "discovers" about successful dating through her research could have eluded her in the first place.

Pleasant, geeky fun.

Pub Date: Jan. 31, 2013

ISBN: 978-0-525-95380-7

Page Count: 304

Publisher: Dutton

Review Posted Online: Nov. 3, 2012

Kirkus Reviews Issue: Nov. 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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