by Anastasia Suen & illustrated by Benrei Huang ‧ RELEASE DATE: Oct. 1, 1997
A look at the 1969 moon landing in a consummate picture book that also introduces space exploration, recounts historical events, portrays real people, relates facts, tells a story, and leaves readers with the happiest of endings: ``One small step for man . . .'' Suen's first book accomplishes all this clearly and in a way that will interest even young children: ``Moon, do you remember your first visitors?'' The astronauts are succinctly introduced in well-turned sentences: ``Each had flown in space, but no one had ever touched the moon. No one.'' The suspense of the journey, the marvel of space travel, and Armstrong's historic statement are described in a practical, seasoned fashion. As for the art, expert compositions convey the awesome proportions of space and spacecraft. A variety of perspectives provide drama: the landing as seen from the moon's surface, a close-up of two astronauts circling each other in weightlessness inside the capsule. An author's note and a footnote on perhaps the most famous verbal gaffe in recorded history (Armstrong's ``man'' instead of ``a man'') round out this perfect introduction to space, the space program, and exploration. Thrilling. (Picture book. 3-8)
Pub Date: Oct. 1, 1997
ISBN: 0-670-87393-4
Page Count: 32
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1997
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by Anastasia Suen & illustrated by Jannie Ho
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by Marie Bradby & illustrated by Chris K. Soentpiet ‧ RELEASE DATE: Sept. 1, 1995
An inspiring story of young boy's compelling desire to read. As a boy of nine, Booker works in a salt mine from the dark of early morning to the gloom of night, hungry for a meal, but even hungrier to learn to read. Readers follow him on his quest in Malden, Virginia, where he finds inspiration in a man ``brown as me'' reading a newspaper on a street corner. An alphabet book helps, but Booker can't make the connection to words. Seeking out ``that brown face of hope'' once again, Booker gains a sense of the sounds represented by letters, and these become his deliverance. Bradby's fine first book is tautly written, with a poetic, spiritual quality in every line. The beautifully executed, luminous illustrations capture the atmosphere of an African-American community post-slavery: the drudgery of days consumed by back- breaking labor, the texture of private lives conducted by lantern- light. There is no other context or historical note about Booker T. Washington's life, leaving readers to piece together his identity. Regardless, this is an immensely satisfying, accomplished work, resonating first with longing and then with joy. (Picture book. 5- 8)
Pub Date: Sept. 1, 1995
ISBN: 0-531-09464-2
Page Count: 32
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1995
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by Marie Bradby & illustrated by Ted Rand
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by Patricia Polacco & illustrated by Patricia Polacco ‧ RELEASE DATE: Sept. 15, 1994
A white youth from Ohio, Sheldon Russell Curtis (Say), and a black youth from Georgia, Pinkus Aylee (Pink), meet as young soldiers with the Union army. Pink finds Say wounded in the leg after a battle and brings him home with him. Pink's mother, Moe Moe Bay, cares for the boys while Say recuperates, feeding and comforting them and banishing the war for a time. Whereas Pink is eager to go back and fight against "the sickness" that is slavery, Say is afraid to return to his unit. But when he sees Moe Moe Bay die at the hands of marauders, he understands the need to return. Pink and Say are captured by Confederate soldiers and brought to the notorious Andersonville prison camp. Say is released months later, ill and undernourished, but Pink is never released, and Polacco reports that he was hanged that very first day because he was black. Polacco (Babushka Baba Yaga, 1993, etc; My Rotten Redheaded Older Brother, above) tells this story, which was passed down for generations in her family (Say was her great-great-grandfather), carefully and without melodrama so that it speaks for itself. The stunning illustrations — reminiscent of the German expressionist Egon Shiele in their use of color and form — are completely heartbreaking. A spectacular achievement. (Nonfiction/Picture book. 4- 8)
Pub Date: Sept. 15, 1994
ISBN: 0-399-22671-0
Page Count: 48
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1994
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