by Ancri Swanepoel & illustrated by Natalie Murrow & developed by Picsterbooks ‧ RELEASE DATE: Feb. 16, 2014
An intriguing approach to learning a foreign language but rough around the edges: possibly of greatest interest to students...
An instructional tool for learning South African Sign Language is built around a distant cousin of “The Great Big Enormous Turnip.”
Presented optionally in English or Afrikaans, the standard cumulative storyline is reduced to a set of wooden cartoon tableaux in which a farming family is introduced, does chores, pulls a gigantic carrot (which only takes three screens) and, with help from the livestock, chows down. The text is likewise simplified and stilted—“The farmer’s wife feeds the chickens. The rooster is on the roof. The hen and her chicks peck at the mielies”—with verbs printed in a different color and nouns highlighted. Tapping separate icons activates an audio reading and a signed rendition in a small video screen in the corner. The two are not synchronized but can be run at once. Tapping highlighted nouns will prompt an audio pronunciation and, on the side, an identifying picture, a video signing and a hand-spelled diagram. Though SASL is based on American Sign Language, it is not the same, which limits the usefulness of this app and its several series mates on this side of the Atlantic. Moreover, along with being dull, the English text has several typos: “The carrot is to big!!” and other blunders should be corrected in an update.
An intriguing approach to learning a foreign language but rough around the edges: possibly of greatest interest to students of sign languages. (Requires iOS 6 and above.) (iPad instructional/story app. 5-8)Pub Date: Feb. 16, 2014
ISBN: N/A
Page Count: -
Publisher: Picsterbooks
Review Posted Online: March 30, 2014
Kirkus Reviews Issue: April 15, 2014
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by Loren Long & illustrated by Loren Long ‧ RELEASE DATE: Sept. 1, 2009
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
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SEEN & HEARD
by Susan Verde ; illustrated by Peter H. Reynolds ‧ RELEASE DATE: Sept. 13, 2016
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
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