by Anden Wilder ; illustrated by Anden Wilder ‧ RELEASE DATE: Feb. 4, 2025
Perfectly adorable, especially for families with babies and felines of their own.
“Scamp’s house has two cats: one black and one pink.”
But one of the felines is changing into a different sort of creature. As the book opens, a black cat and a human baby clad in pink striped pajamas sit side by side. “Hector and Scamp. Scamp and Hector.” The two are clearly best friends and do all the same things together: groom themselves, roam on all fours, sharpen their claws (Scamp paws gently at the couch, while Hector scratches away at it), and attack the vacuum. One day, with a look of utter surprise while holding on to her crib rail, Scamp realizes that she can stand up (“Scamp was pretty sure cats didn’t stand on two feet”). Later, it happens again as she props herself up with the table. Then at dinner she tries using a spoon, and at bathtime, Scamp finds herself enjoying the water. “Her whiskers drooped. She was a bad cat.” When Hector gets left outside in the rain, however, Scamp’s human abilities come in handy. Watercolor, colored pencil, and gouache artwork and clever endpapers put the spotlight on Scamp and Hector’s friendship, highlighting how similar the two are in shape and size. The spare text plays against the illustrations with gentle humor, demonstrating that while change can be unnerving, true friendship will find a way to endure. Scamp is light-skinned with tiny dark pigtails.
Perfectly adorable, especially for families with babies and felines of their own. (Picture book. 3-7)Pub Date: Feb. 4, 2025
ISBN: 9780316558266
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Oct. 25, 2024
Kirkus Reviews Issue: Dec. 1, 2024
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by Anden Wilder ; illustrated by Anden Wilder
by Eric Carle ; illustrated by Eric Carle ‧ RELEASE DATE: Dec. 15, 2015
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
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edited by Eric Carle
BOOK REVIEW
edited by Eric Carle
BOOK REVIEW
by Eric Carle ; illustrated by Eric Carle
by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
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New York Times Bestseller
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Aaron Reynolds ; illustrated by Peter Brown
BOOK REVIEW
by Aaron Reynolds ; illustrated by Peter Brown
BOOK REVIEW
by Peter Brown ; illustrated by Peter Brown
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