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DANCING AFTER HOURS

STORIES

From Dubus (Selected Stories, 1988), fourteen new pieces that show this stalwart author, more often than not, at his great- hearted best. Dubus can be both derivative and wildly uneven, as in his clone-of-Hemingway opener, about a boy and an accidental shooting (``The Intruder''), or in the mawkish melodrama of ``Falling in Love,'' the first of four touching on the life of wounded Vietnam veteran and lawyer Ted Briggs. At the same time, it's as if there is a stream of the natural, pure, and unaffected, and when Dubus's energies are tapping that current, it seems there's no human life he can't transform into quiet, passionate, commanding fiction. Even in short, one-take sketches about the losses felt by a divorced mother (``A Love Song'') or the death, in bed, of a 77-year-old woman's husband (``At Night''), Dubus puts his fingers on the pulse of lives made genuine, felt, and real. A high-danger story about a sunken boat and sharks (``Blessings'') make the heart leap into the throat; but other stories are touched over and again by sensitive, acute observations that stir the heart more quietly, as when a mother woke her kids up ``gently because she felt she was pulling them from childhood.'' Dubus's range is not so wide as it is deliberate and true: A retired Marine learns the despair and shame of being wounded (``The Colonel's Wife''); a 55-year-old man falls in love—or in despair—with a woman younger than his own daughter (``The Lover''); a woman, thinking of her children and husband, furiously beats down two attackers (``Out of the Snow''); and this same woman, before her marriage, learns through her Catholicism that her life, passion, and love are all one (``All the Time in the World''). At one point, in passing, literature is referred to as ``the human attempt to make truth palpable and delightful.'' And so, in Dubus's capable hands, it is.

Pub Date: Feb. 22, 1996

ISBN: 0-679-43107-1

Page Count: 240

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1995

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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