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SECRETS UNRAVELED

OVERCOMING MUNCHAUSEN SYNDROME

As Hall himself says, “an eye-opening and sobering experience.”

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In the authors’ first nonfiction title, the particulars of Munchausen Syndrome—those diagnosed perpetually feign or provoke symptoms of illness for attention—appear not in the jargon of medical textbooks but in the fraught life of one woman.

Through alternating recollections from Avigal, the patient, and Hall, the therapist, the specifics of Avigal’s episodes are brought into disturbing focus. Abused by her father and unprotected by her mother, Avigal suffered repeated traumatic events. Lacking familial refuge, she continued to harm herself until she was eventually placed in a residential school for children dealing with emotional abuse. Even there, though, she couldn’t escape, falling prey to her caregivers. Avigal didn’t meet Hall until well after she had already married, bore children and lost a son to cancer—a loss which prompted her to attempt suicide again and then reevaluate her well-being. Under Hall’s guidance, Avigal underwent a therapeutic regimen that caused both her and Hall to question many aspects of their own lives. The book’s approach is somewhat unseen in the genre of psychological memoirs: Instead of opting for a singular perspective, the combined frankness of Avigal about her tribulations and Hall about his hurdles in combating them offers enlightening changes of perspective and pace. Despite the book’s often stomach-turning content, it ends on a note of well-earned hope, with Avigal working to address the afflictions of her past. Avigal’s honesty is riveting and bracing, as is Hall’s when he candidly writes of the difficulties of treating Avigal. The book carries a dual meaning in its title: firstly, the secrets of the illness itself and, secondly, the mystery of treating an ailment from which many have not recovered. Avigal and Hall’s collaboration offers readers a coherent timeline while still managing to put forth an arrestingly personal account of redemption. Sensitive, nuanced, ethical and creatively wrought—including reproduced emails between patient and therapist about the treatment process—the book is a major step forward in overcoming the formal restraints of psychiatry to secure dignity, optimism and peace for the mentally ill.

As Hall himself says, “an eye-opening and sobering experience.”

Pub Date: May 23, 2012

ISBN: 978-1468094800

Page Count: 176

Publisher: CreateSpace

Review Posted Online: Aug. 10, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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GRIEF IS FOR PEOPLE

A marvelously tender memoir on suicide and loss.

An essayist and novelist turns her attention to the heartache of a friend’s suicide.

Crosley’s memoir is not only a joy to read, but also a respectful and philosophical work about a colleague’s recent suicide. “All burglaries are alike, but every burglary is uninsured in its own way,” she begins, in reference to the thief who stole the jewelry from her New York apartment in 2019. Among the stolen items was her grandmother’s “green dome cocktail ring with tiers of tourmaline (think kryptonite, think dish soap).” She wrote those words two months after the burglary and “one month since the violent death of my dearest friend.” That friend was Russell Perreault, referred to only by his first name, her boss when she was a publicist at Vintage Books. Russell, who loved “cheap trinkets” from flea markets, had “the timeless charm of a movie star, the competitive edge of a Spartan,” and—one of many marvelous details—a “thatch of salt-and-pepper hair, seemingly scalped from the roof of an English country house.” Over the years, the two became more than boss and subordinate, teasing one another at work, sharing dinners, enjoying “idyllic scenes” at his Connecticut country home, “a modest farmhouse with peeling paint and fragile plumbing…the house that Windex forgot.” It was in the barn at that house that Russell took his own life. Despite the obvious difference in the severity of robbery and suicide, Crosley fashions a sharp narrative that finds commonality in the dislocation brought on by these events. The book is no hagiography—she notes harassment complaints against Russell for thoughtlessly tossed-off comments, plus critiques of the “deeply antiquated and often backward” publishing industry—but the result is a warm remembrance sure to resonate with anyone who has experienced loss.

A marvelously tender memoir on suicide and loss.

Pub Date: Feb. 27, 2024

ISBN: 9780374609849

Page Count: 208

Publisher: MCD/Farrar, Straus and Giroux

Review Posted Online: Sept. 19, 2023

Kirkus Reviews Issue: Nov. 1, 2023

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