Oblivious but funny and full of gusto, Ted’s bound for detective work next.
Ted’s back, bursting with enthusiasm, this time throwing himself into the role of painter.
As usual, Ted awakens in his bedroom. In Doctor Ted (2008), he had a sore knee, so, seeing no doctor in his immediate bedroom, he became one; in Firefighter Ted (2009), he smelled burnt toast and found no firefighter at hand and so became one. Here, bored by humdrum walls, “Ted looked everywhere”—fish tank, fridge—before gamely becoming an artist himself. Sporting a tiny green beret and smock-like coat, he creates a brush by tying a curtain tassel to a wooden cooking spoon. “Artist Ted didn’t have any paint, so he made some of that, too”: ketchup, mustard, chocolate syrup, toothpaste. Painting hijinks ensue at home and school. Some humor is of the classic-kid variety (a mural of “a monkey juggling stinky socks”), some more likely to be appreciated by adults (Ted titling a masterpiece Green despite an utter lack of it). Characters are various round-eyed animals, which Lemaitre outlines in casually uneven black strokes and fills in with bright colors. The visual style is loose and easygoing. Ted’s use of a new classmate’s white shirt (that the classmate’s wearing) as blank canvas makes the mischief feel a bit more malicious than when only adults are dismayed, and it feels textually forced, as well.
Oblivious but funny and full of gusto, Ted’s bound for detective work next. (Picture book. 3-7)Pub Date: Feb. 7, 2012
ISBN: 978-1-4169-5374-6
Page Count: 32
Publisher: McElderry
Review Posted Online: Dec. 13, 2011
Kirkus Reviews Issue: Jan. 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A sweet, soft conversation starter and a charming gift.
A paean to teachers and their surrogates everywhere.
This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.
A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)Pub Date: March 1, 2017
ISBN: 978-1-943200-08-5
Page Count: 32
Publisher: Compendium
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 1, 2017
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
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