by Andrea di Robilant illustrated by Nina Fuga ‧ RELEASE DATE: April 10, 2014
A quiet country pleasure.
A historian’s account of how he uncovered the identity of a mysterious wild rose growing on the old farming estate of an illustrious Venetian ancestor.
When di Robilant (Irresistible North: From Venice to Greenland on the Trail of the Zen Brothers, 2011, etc.) visited the former home of his great-great-great-great-grandmother Lucia Mocenigo, it was solely to make connection with a part of his past. But then the caretaker showed him a magnificent silvery-pink rose. Its delicately fruity fragrance and noble carriage told the author that “this was an old rose of some importance”; yet no one knew where it had come from. Captivated by the mystery surrounding this flower, di Robilant began an investigation into its possible origins. Another chance encounter—this time with a diary Lucia kept during her stay at the court of Emperor Napoleon—suggested that the rose had come to Venice via his ancestor. At the time she lived in France, Paris was “in the throes of a mad love affair with roses.” Lucia did not become a collector like her friend the former Empress Josephine, but she did develop an interest in botany and brought home a variety of different roses. Di Robilant was fairly certain that the “rosa moceniga” was among them; however, he had no conclusive proof. His journey took him to historical archives in Paris and brought him into contact with rose collectors and specialists, from whom the author learned about individual rose species and the often colorful histories behind them. Yet it would be happy accident—this time in an Umbrian garden full of old Chinese roses—that would lead him to the answers he sought about the “rosa moceniga.” Illustrated throughout with charming watercolors, Di Robilant’s is a unique exploration of how human history often leaves its imprint in the most unexpected of places.
A quiet country pleasure.Pub Date: April 10, 2014
ISBN: 978-0307962928
Page Count: 224
Publisher: Knopf
Review Posted Online: Feb. 2, 2014
Kirkus Reviews Issue: Feb. 15, 2014
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by Andrea di Robilant photographed by Camilla McGrath
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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