The first installment of Stewart’s Hollow Covenant trilogy is set in a fantasy world where humans have destroyed the planet’s sustainability—and magic—and feuding gods do battle to restore the world.
After humans selfishly consume much of the magic on the planet, the Shattering changes everyone who lives in its various realms. Kluehnn—who called himself the “one true god”—makes a pact with his followers after hunting down and killing most of the other deities. He will systematically restore each realm back to its pristine environmental state, but half the population will be “altered to suit the new landscape.” The other half will be destroyed, their matter used to reshape the terrain. As the country of Kashan is being forcibly restored by a relentless black wall sweeping over the land, chaos ensues as people attempt to escape. Fifteen-year-old Hakara desperately tries to save herself and her little sister, Rasha, but they are separated in the turmoil. Hakara awakes safely in the neighboring realm, but her sister’s fate is unknown. An environmental cautionary tale blended with an impressively intricate fantasy backstory, the premise here is strong, as are the multiple intertwining storylines exploring a diversity of perspectives. The problem is with the major plot thread revolving around the two sisters’ search for one another—particularly Hakara’s obsession with crossing the barrier to the transformed Kashan to find Rasha, who may be dead or altered. The intensity is initially high, but it loses power quickly as secondary characters and storylines take over. Compared to fully realized and impressively complex characters like Thassir, an emotionally scarred god in disguise; Mullayne, an explorer in search of Unterra, the mythical subterranean home of the gods before the Shattering; and the courageous Sheuan Sim, who must use her wits and savvy to survive an impossible situation that puts her entire clan at risk, the sisters are unremarkable.
Intriguing worldbuilding can’t compensate for two-dimensional lead characters and a lackluster primary storyline.