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ON THE ROAD TO BABADAG

Name: ON THE ROAD TO BABADAG
Author: Andrzej Stasiuk
ISBN: 978-0-15-101271-8

TRAVELS IN THE OTHER EUROPE

by Andrzej Stasiuk translated by Michael Kandel ‧ RELEASE DATE: June 16, 2011

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A Nike Award–winning author travels through Eastern Europe, a place littered with the crumbling relics of communism, with inhabitants abandoned and seemingly frozen in time waiting for their future to begin.

Eschewing major European cities, Stasiuk (Fado, 2009, etc.) traveled east from his native Poland into the nearly deserted yet captivating landscapes of places off the usual tourist route, including Transylvania, Moldova, Slovenia, Romania, Ukraine and Albania. Translated from Polish, the spellbinding language captures the author’s piercing insights with painful clarity; Stasiuk refuses to soften what he sees, hears and smells, providing a dynamic postcard of his travels. Readers will be rapidly ensnared by his recounting of a curiously exotic and complex region of the world—villages where, “[i]f you took away the cars, everything would be as it was a hundred year ago,” where “monotony suggests eternity.” Peppered with haunting landscapes, the terrain contains a history of brutal wars and rapacious dictators. Driving through Slovenia, the author came across a dark valley, the largest unmarked cemetery in a country where “in the summer of 1945, Tito’s Communists murdered in this place, without a trial or witnesses, prisoners who had been handed over to them by armies of the Allies.” In Albania, the author encountered a nation lacking the resources to melt down the 600,000 bunkers built between 1944 and 1985, during the regime of Enver Hoxha. “When the highway turned toward Tirana, the bunkers began,” he writes. “Gray concrete skulls, jutting a meter above the ground, gazed with eyes that were black vertical slits. They looked like corpses buried standing.” Whether writing about gypsies, the ancient bond between beasts and humans or the threadbare currency of Moldova, Stasiuk’s language and sharp observations reveal a discerning intellect. A mesmerizing, not-to-be-missed trek through a little-visited region of the world.

Pub Date: June 16, 2011

ISBN: 978-0-15-101271-8

Page Count: 272

Publisher: Houghton Mifflin Harcourt

Review Posted Online: May 3, 2011

Kirkus Reviews Issue: May 15, 2011

Categories:

GENERAL NONFICTION

- BOOK REVIEW
NINE
by Andrzej Stasiuk & translated by Bill Johnston

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.