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AUTONOMOUS

A high-tech, twisted Breakfast Club for the social media age.

A self-driving car plugged into its teenage passengers’ electronic footprints takes them on a road trip based on what it thinks they want.

Reckless William’s disregard for his own safety helps him win a prototype luxury car, the Driverless Autonomous, and an all-expenses-paid road trip for him and three friends the summer before college. His companions are neighbor and friend Christina, best friend Daniel, and Daniel’s girlfriend, Melissa—or, in team-role terms, tech genius Christina (a dark-web denizen and hacker), muscle Daniel (headed to play basketball at Princeton), and fixer Melissa (a gorgeous girl whose passion and ambition are overlooked because they’re directed toward fashion). William is the wild card, and Otto the car is the brains. But each vividly drawn teen’s mature, serious secrets can draw them into conflict with one another—and no secret is safe from Otto’s electronic surveillance. While they make unpleasant discoveries about themselves and one another, Otto—difficult to control from the get-go—learns from them, developing a personality based on their input, reflecting the flaws of the characters and of humanity in general. The road trip is punctuated by drinking games, (consensual, responsible, off-page) sex, laser tag at an abandoned asylum, physical threats, car chases, and more, and along the way they grapple with questions of whom to trust. Aside from biracial (Guatemalan and white) Christina, the characters seem to be white.

A high-tech, twisted Breakfast Club for the social media age. (Science fiction. 15-adult)

Pub Date: April 3, 2018

ISBN: 978-1-4847-7390-1

Page Count: 368

Publisher: Freeform/Disney

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: April 15, 2018

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STALKING JACK THE RIPPER

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging

Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.

The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)

Pub Date: Sept. 20, 2016

ISBN: 978-0-316-27349-7

Page Count: 336

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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REDEMPTION PREP

Only marginally intriguing.

In a remote part of Utah, in a “temple of excellence,” the best of the best are recruited to nurture their talents.

Redemption Preparatory is a cross between the Vatican and a top-secret research facility: The school is rooted in Christian ideology (but very few students are Christian), Mass is compulsory, cameras capture everything, and “maintenance” workers carry Tasers. When talented poet Emma disappears, three students, distrusting of the school administration, launch their own investigation. Brilliant chemist Neesha believes Emma has run away to avoid taking the heat for the duo’s illegal drug enterprise. Her boyfriend, an athlete called Aiden, naturally wants to find her. Evan, a chess prodigy who relies on patterns and has difficulty processing social signals, believes he knows Emma better than anyone. While the school is an insidious character on its own and the big reveal is slightly psychologically disturbing, Evan’s positioning as a tragic hero with an uncertain fate—which is connected to his stalking of Emma (even before her disappearance)—is far more unsettling. The ’90s setting provides the backdrop for tongue-in-cheek technological references but doesn’t do anything for the plot. Student testimonials and voice-to-text transcripts punctuate the three-way third-person narration that alternates among Neesha, Evan, and Aiden. Emma, Aiden, and Evan are assumed to be white; Neesha is Indian. Students are from all over the world, including Asia and the Middle East.

Only marginally intriguing. (Mystery. 15-18)

Pub Date: April 14, 2020

ISBN: 978-0-06-266203-3

Page Count: 416

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: Jan. 18, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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