by Angela Palm ‧ RELEASE DATE: Aug. 16, 2016
An intelligent, evocative, and richly textured memoir.
The haunting account of how the author tried to escape her rural Indiana past.
Ink + Lead Literary Services owner Palm (Please Do Not Remove: A Collection Celebrating Vermont Literature and Libraries, 2014) grew up in a community claimed from the waters of the Kankakee River, which had been rerouted to create farmland. Early on she realized that she was not like other blue-collar “rural folk” whose lives entwined with the land; rather, she was a “bookish fishergirl who longed for the social opportunities of a cookie-cutter subdivision.” Unable to move past the narrow confines of her social and physical isolation, Palm first sought refuge in religion. She experimented with both Christian and non-Christian faiths and belief systems; eventually, meditation became her one reliable way “out of that riverbed.” While the author embraced the power of her mind and imagination to rise above an existence measured by cycles of flood and drought, fellow outsider—and secret object of desire—Corey sank into the “rot” of riverine life by “rejecting school and authority” and becoming a convicted murderer. Deeply troubled by Corey’s descent into criminality but determined to break free of the muddy quicksand of river life, Palm, whose own uncle had been imprisoned for attempted murder, went to college and studied criminal justice. Her path took her first to Indianapolis and then, after marriage, to Vermont. Yet despite the distance she put between her riverbed upbringing and the trauma of Corey’s lifetime incarceration, both remained with her. Only after she was able to return to Indiana to visit Corey in prison could she make peace with her past and a heart that, according to her corresponding palm line, looked like “an aerial cartography of the river where we grew up.” Densely symbolic, unsentimental, and eloquent, Palm’s book explores the connections between yearning, desire, and homecoming with subtlety and lucidity. The result is a narrative that maps the complex relationships that exist between individual identity and place.
An intelligent, evocative, and richly textured memoir.Pub Date: Aug. 16, 2016
ISBN: 978-1-55597-746-7
Page Count: 256
Publisher: Graywolf
Review Posted Online: May 24, 2016
Kirkus Reviews Issue: June 15, 2016
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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