A warm, sparkling and heartfelt novel that explores the power of second chances in life, in love and in following our dreams.
Ten years ago, just out of college, San Francisco department store heiress Cassie Blake chose a life in Berkeley as a professor’s wife and a volunteer in an educational organic garden; now her husband might be cheating, and her mother is luring her back to Fenton’s with a gourmet food emporium.
When Cassie Blake discovers her husband, an ethics professor, has cheated on her at least once, she flees Berkeley to stay in a Presidio Heights mansion with her best friend, Alexis, the rich, bored wife of a hedge fund manager who constantly flies all over the world. Cassie’s mother, Diana Fenton, takes the opportunity to press Cassie back into the family business, asking her to oversee the store’s conversion of a full floor into a high-end gourmet food market. When once Cassie would have declined out of hand, her unsettling marriage situation leads her to agree to managing the design and the grand opening. More troubling is the quick attraction she feels toward James, the architect of the project, and the increased tension she feels with her husband, who resents her work and puts pressure on her to forgive him for his small indiscretion and come home. With the life she loved crumbling, Cassie must ask herself some unwelcome questions about who she is, what she wants and what’s worth fighting for. Set against the backdrop of glamorous high-society San Francisco, this is an entertaining, satisfying women’s fiction novel that reads like a reverse fairy tale but still ends happily. Hughes has a witty, charming writing style and the ability to create characters that are both larger than life and down to earth (Alexis, in particular, and her motley crew of ultrarich society scions). There is humor, wit and style, all of which enrich the arc of Cassie’s journey to true, authentic happiness.
A warm, sparkling and heartfelt novel that explores the power of second chances in life, in love and in following our dreams.Pub Date: March 26, 2013
ISBN: 978-0-312-64333-1
Page Count: 288
Publisher: St. Martin's Griffin
Review Posted Online: Jan. 19, 2013
Kirkus Reviews Issue: Feb. 1, 2013
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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