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NAUGHTY TOES

A refreshing take on the need to follow one's own heart—or feet.

Chloe knows how hard it can be to follow the beat of your own dancing drum.

Her graceful sister Belinda perfectly meets all requirements of Madame Mina's ballet class. Chloe, however, is the constant misfit; she chooses a multi-hued ensemble, her pigtails fizz out and she crashes into a fellow dancer, the lone boy in her class. Madame's descriptive instructions successfully encourage almost all her young pupils to emulate a classic ballerina. "Sway like flowers!… Flutter like butterflies!" But instead, Chloe moves like a “cloud with gusto.” Her teacher's sharp reprimands (“naughty toes!”) point to Chloe's role in their final performance (her sister stars as the fairy princess, but Chloe is a rock). The initially rigid instructor and piano accompanist demonstrate a more receptive demeanor by recital's end; their gift to Chloe reflects a growing appreciation for her toe-tapping spirit. Chloe's deadpan narration is efficient. “My sister, Belinda, is a ballerina. I, Chloe, am not.” Pitch-perfect body language reflects Chloe's embarrassment and her battle to express herself. Light graph-paper backgrounds try to exert order, while soft colors accentuate each contrasting behavior. Chloe's family shines, supporting their daughter's individuality without restricting her style.

A refreshing take on the need to follow one's own heart—or feet. (Picture book. 4-8)

Pub Date: Sept. 1, 2011

ISBN: 978-1-58925-103-8

Page Count: 32

Publisher: Tiger Tales

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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THE BIG CHEESE

From the Food Group series

From curds to riches, from meltdown to uplift—this multicourse romp delivers.

A winning wheel of cheddar with braggadocio to match narrates a tale of comeuppance and redemption.

From humble beginnings among kitchen curds living “quiet lives of pasteurization,” the Big Cheese longs to be the best and builds success and renown based on proven skills and dependable results: “I stuck to the things I was good at.” When newcomer Wedge moves to the village of Curds-on-Whey, the Cheese’s star status wobbles and falls. Turns out that quiet, modest Wedge is also multitalented. At the annual Cheese-cathlon, Wedge bests six-time winner Cheese in every event, from the footrace and chess to hat making and bread buttering. A disappointed Cheese throws a full-blown tantrum before arriving at a moment of truth: Self-calming, conscious breathing permits deep relief that losing—even badly—does not result in disaster. A debrief with Wedge “that wasn’t all about me” leads to further realizations: Losing builds empathy for others; obsession with winning obscures “the joy of participating.” The chastened cheddar learns to reserve bragging for lifting up friends, because anyone can be the Big Cheese. More didactic and less pun-rich than previous entries in the Food Group series, this outing nevertheless couples a cheerful refrain with pithy life lessons that hit home. Oswald’s detailed, comical illustrations continue to provide laughs, including a spot with Cheese onstage doing a “CHED” talk.

From curds to riches, from meltdown to uplift—this multicourse romp delivers. (Picture book. 4-8)

Pub Date: Nov. 7, 2023

ISBN: 9780063329508

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 26, 2023

Kirkus Reviews Issue: Sept. 15, 2023

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