For readers who ever felt that dolls had thoughts and feelings comes a funny, touching fantasy from Turner (Mississippi Mud, p. 728, etc.). Two sisters, Emily and Rose, clean up an old dollhouse they find in their grandmother's attic. The dolls have been lying dormant, abused by mice, moths, and dust, and are relieved to have someone play with them again. But as they reemerge into life, the doll family finds that the youngest member of their clan, Walter, is nowhere to be found. By sending the girls mental images, the dolls communicate their plight and the warring sisters work together to help the dolls become a complete family again, and mend their own relationship, too. Emily and Rose's alliance unfurls nicely in the background without upstaging the real starsthe dolls. Readers will embrace the characters and warm to the old-fashioned manners and attitudes the dolls demonstrate. Turner's style is gentle and timeless, masterfully shifting between the ``real'' world and the doll world. Not only a humorous, thoughtful adventure, the story is a smart allegory that, like Sylvia Cassedy's Behind the Attic Wall (1983), has the makings of a classic. (Fiction. 8-12)
