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MADE IN CHINA

A MEMOIR OF LOVE AND LABOR

A simultaneously powerful and depressing latter-day Dickensian story sure to elicit sympathy from readers.

A grim yet gripping memoir of an unhappy, nearly loveless childhood and the author’s determined escape to a better adulthood.

Born in Wenzhou, China, Qu remained with her grandparents after her father died—whether of illness or in an auto accident, she was never sure—and her mother moved to New York. There, her mother “worked hard, caught the eye of the owner of the sweatshop she worked in, remarried, and had two kids. Not only had she succeeded in making her American dream come true, she had also managed to bring her 7-year-old daughter with her. It was an achievement worth celebrating.” When she moved in with her new family, the parents showered her half siblings with attention, food, and gifts—but not the author. Still a child, she was put to work in that sweatshop, toiling under the eye of her stepfather for 40 or 50 hours per week; at home, she was banished to the basement. Finally, her mother sent her back to China only to allow her to return to live not as the “outsider” of before but now as a clear “intruder.” Qu describes her mother with steely words: “She wore a fitted red suit with kitten heels,” for instance, “her hair pulled back from her face in a neat way that made her opinion a fact.” Eventually, the author filed a complaint with child protective services and was met with indifference. “The system I turned to is ineffective, neglectful, and careless,” she writes. “I was wrong to call them, wrong to think they stood for justice and the safety of children, wrong to be naïve, wrong to be so idealistic.” Later, Qu left for college, working diligently in both school and as a restaurant server and retail salesperson, earning grudging respect—but still not love—from her mother. The book is well written and sometimes brilliantly insightful, but it’s also saturated with seething resentment that, while thoroughly understandable, may turn some readers away.

A simultaneously powerful and depressing latter-day Dickensian story sure to elicit sympathy from readers.

Pub Date: Aug. 3, 2021

ISBN: 978-1-64622-034-2

Page Count: 224

Publisher: Catapult

Review Posted Online: June 22, 2021

Kirkus Reviews Issue: July 15, 2021

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107 DAYS

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

An insider’s chronicle of a pivotal presidential campaign.

Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

Pub Date: Sept. 23, 2025

ISBN: 9781668211656

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: Sept. 23, 2025

Kirkus Reviews Issue: Nov. 15, 2025

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POEMS & PRAYERS

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”

McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

Pub Date: Sept. 16, 2025

ISBN: 9781984862105

Page Count: 208

Publisher: Crown

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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