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POWER DOWN, LITTLE ROBOT

Riddled with robotic terms, this bedtime story is clearly one-note, but it’s still charming enough to earn fans of all...

This little red robot will do anything to avoid going to sleep.

When Mom Unit announces that it is time to power down for the night, Little Robot quickly initiates his stalling program (a program equally familiar to toddlers and robots alike). He takes twice as long to brush his cogs, he begs for an extra can of oil, and right before the door is shut, his circuits begin to hurt. Mom Unit patiently solves every problem, from error messages (nightmares) to rust monsters hiding in the closet, but she knows when it is time for a firm, “Enough!” Despite every effort to the contrary, Little Robot’s large, bulbous eyes finally begin to close. After all, who can resist the warmth and coziness of the sleep module? Zeltner uses a creative wash of acrylic on plywood with various stains and glazes to create this space-age family. Mother Unit looks especially svelte in a lilac metal dress, while Little Robot is boxy and bright red, appropriate for his defiant streak.

Riddled with robotic terms, this bedtime story is clearly one-note, but it’s still charming enough to earn fans of all youngsters who engage in bedtime battles. (Picture book. 3-7)

Pub Date: March 3, 2015

ISBN: 978-1-62779-125-0

Page Count: 32

Publisher: Henry Holt

Review Posted Online: Dec. 9, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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BECAUSE I HAD A TEACHER

A sweet, soft conversation starter and a charming gift.

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A paean to teachers and their surrogates everywhere.

This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.

A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)

Pub Date: March 1, 2017

ISBN: 978-1-943200-08-5

Page Count: 32

Publisher: Compendium

Review Posted Online: Dec. 13, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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